One Man, Two Guvnors (National Theatre of Great Britain)

OM2G_F11[1]Venue: Sydney Theatre at Walsh Bay (Sydney NSW), Apr 2 – May 11, 2013
Playwright: Richard Bean, based on The Servant of Two Masters by Carlo Goldoni
Songs: Grant Olding
Director: Nicholas Hytner
Actors: Owain Arthur, Edward Bennett, Amy Booth-Steel, Alicia Davies

Theatre review
This work of nostalgia references British comedy in the 60s and 70s, utilising every familiar mechanism that contemporary audiences would know from Benny Hill, Are You Being Served, and the Carry On films. It cleverly incorporates an endless string of raucous gags, unafraid of the lowbrow but carefully avoiding anything that would be deemed “bad taste” by today’s standards, such as the homophobia and misogyny that had featured prominently in the past.

Hynter’s direction brings to Sydney a breath of fresh air, a kind of theatre less concerned with “high culture”, and more to do with pantomime and commedia dell’arte. Sydney Theatre at Walsh Bay felt like it had been administered a shot of adrenaline; not a minute passed without screams of laughter were hurled at the stage in joyful appreciation.

Theatre is serious business, one which comprises hundreds of different disciplines. Even in the realm of pure entertainment such as this production, One Man, Two Guvnors demonstrates what can be achieved when great skill and talent are applied perfectly.

www.nationaltheatre.org.uk

Gina Yashere: Jokes & Stuff (Sydney Comedy Festival 2013)

Gina Yashere Laughing To America DVD PromoVenue: The Factory Theatre (Marrickville NSW), May 3 – 5, 2013

Show review
The thing about stand up comedy shows is that they’re either terrific or they’re terrible. There is no middle-ground, the audience never leaves thinking, “that was fine”. These are tough gigs, where the performers are not allowed mediocrity, for the only way to achieve a “passing grade” is to bring the house down.

Gina Yashere’s performance at this year’s Sydney Comedy Festival was convincingly masterful. Though her material is sometimes silly and usually apolitical, her delivery is consistently timed to bombastic perfection. Every consonant is mapped out for attack at every precise moment, and every pause is placed just so. Everything is informed by instinct and talent.

At this year’s festival, Yashere was not only given the biggest space at the Factory, but also the attendance of a truly adoring following. She was the commander of a ship full of passengers keen to venture on an hour-long journey, all poised and ready for wherever she may want to go. The lethal combination of a confident comedian at the top of her game and a totally up-for-it crowd, gave birth to an uproarious and thrillingly hilarious night. See you next year, Gina!

www.sydneycomedyfest.com.au

Dance Of Death (Malthouse Theatre)

Venue: Beckett Theatre at Malthouse (Southbank VIC), Apr 18 – May 19, 2013
Playwright: Friedrich Dürrenmatt, English text by Tom Holloway
Director: Matthew Lutton
Actors: Jacek Koman, Belinda McClory, David Paterson

Theatre review
The players are brilliant. They are charismatic, humorous, agile and precise. From the very start, the audience is eating out of the palm of their hand, keen to see what unfolds. Their depiction of a dysfunctional marriage (to put it mildly) is fascinating and thrilling, but it is a struggle to find more than great entertainment value from this production, which is curious as the play does go into very dark places. Its last third turns more serious, but this is where the show loses focus, and the crowd is left bewildered as to what is being conveyed.

Production values are wonderful. Sound and music, set and props, and lighting all felt flawlessly executed and artfully created. This is a loud and dynamic, yet elegant production, which theatre-goers will enjoy even if its ending fails to match u up to its astounding start.

www.malthousetheatre.com.au