Diana Popovska: Which character do you most relate to in Metamorphoses and why?
Claudette Clarke: I am not sure which character I most relate to in Metamorphoses but I have researched Aphrodite the most because she is the main character I play and some of these qualities are parts of my personality. Aphrodite is mischievous, angry and revengeful to mortals who refuse to fall in love. Goddess of love, sex and procreation; beauty, seduction, pleasure and happiness. Antithesis curses for non-compliance of the laws of love are: Sexual repulsion; Unnatural desires (incest, bestiality, etc.); Love unreciprocated; Ugliness. Some of these curses are played out in Metamorphoses.
This is your second time working with Dino, how is it different?
I worked with Dino many years ago in his very memorable production of To Kill A Mockingbird. Almost the entire season was booked out and people still talk about the production. The plays are both “classics” and here Dino is directing a queer reading of Zimmerman’s modern adaptation of Ovid’s verse to reflect current times. I am really enjoying working with him again. I love the way he pushes boundaries. As an actor of African Caribbean decent, I immediately identified with the topic of black and white in Mockingbird whereas it was interesting for me to think in more depth about gender mixes. Although I have always readily accepted difference, this reading pushed me to think further. This production reinforces my belief that, as humans, all we ask is to be respected and loved for who we are.
What has been your favourite moment in rehearsals so far?
My favourite moment in rehearsals came when Johnny Hawkins joined the cast. He has a way of playing and having fun with the characters, exploring possibilities, which is what is required.
Why do you believe this queer reading of ‘Metamorphoses’ is particularly important for the queer community to see?
I think that it is particularly important for the queer community to see this queer reading of Metamorphoses because these poems from Ovid were probably completed around AD 8. It may be reassuring to learn that stories of broader sexual and gender identities have existed for so long.
What excites you most about the staging of this play?
A cast of 10 actors on a tiny stage the whole time promises to be all-encompassing for an intimate audience to experience. The Old Fitz Theatre is one of the most intimate creative theatre spaces in Sydney.
Claudette Clarke: What parts of your personality as a human does your parts bring out?
Diana Popovska: I feel like this production and the parts I have been cast in bring out my playfulness as a human more than anything else. It has been such a beautiful experience introducing ‘play’ into the rehearsal room from day one. This has allowed me to connect with the text, our queer reading of the text and my fellow actors in a way which has been visceral and raw. This production has also brought out my queerness and sensual energy, and highlighted how fabulous I feel as a queer woman making theatre.
How does the “queer reading” of Metamorphoses impact on your interpretation of your parts?
I think it is important to understand that these stories are universal. For me, the several characters that I play in this production all experience various human emotions such as grief, love, heartache, lust and so on… This “queer reading” if anything allows me to celebrate more than ever these characters and their experiences, as well as stand there and fight for them and their right to be represented on an Australian stage.
What made you interested to be part of this production of Metamorphoses?
I have always wanted to work with Dino Dimitriadis as a director and when I found out that he was doing Metamorphoses I wanted in because I was incredibly interested to see what he would do with a text so colossal. As a queer identifying woman, I wanted to represent my community on stage during Mardi Gras. I mostly wanted to do this production because I knew it would be a celebration of queerness, a celebration of ‘difference’ and a celebration of the unwavering and all enduring human spirit in the face of hardship.
What kind of kid were you at school?
I was a little bit of a nerd / a little bit cool. I loved playing cards at lunch time and I was even on the debating team for a while. Drama class was my favourite, but I also really enjoyed playing sport too. I feel like I was super friendly with everyone in my year, we had a pretty tight year. I was pretty confident and ‘cool’, except for when it came to telling my high school crush, Katie that I liked them. I was super bashful around her and other girls I liked, and you know what they say, “you snooze, you lose!”.
How do you envisage theatre changing since ‘same sex marriage’ became legal in Australia?
I am hoping that far more companies will open their doors to allow for queer stories to be staged. I am hoping that this will allow for more queer identifying artists and creatives to create work and to see themselves represented in others work far more rapidly. If anything, the arts in Australia have been behind ‘same sex marriage’ for a long while now, it’s actually our government that has needed to pull their finger out. But now that the horrible plebiscite is over, I hope for love and inclusiveness for all queer identifying people and their allies both on and off stage.
Claudette Clarke and Diana Popovska are appearing in Metamorphoses, by Mary Zimmerman.
Dates: 8 February – 10 March, 2018
Venue: Old Fitz Theatre