Venue: Kings Cross Theatre (Kings Cross NSW), Mar 6 – 21, 2019
Playwright: Branden Jacobs-Jenkins
Director: Gabriel Fancourt
Cast: Kate Bookallil, Caitlin Burley, Annie Byron, Giles Gartrell-Mills, Isaro Kayitesi, Mansoor Noor, Kate Skinner, Samm Ward and Michael Wood
Images by Clare Hawley
The idea is to think of that one thing you can take with you, when you die. Everybody by Branden Jacobs-Jenkins talks about the most common of denominators. A woman named Death has come knocking, and is asking Everybody to bring along one other, to meet their maker. It is worth pointing out that Everybody is played by any one of five actors, determined at each performance by lottery. As we watch ourselves shuffle off this mortal coil, leaving behind all things material, we are urged to consider a certain distillation of being, that occurs in the final hour, and come to a conclusion of what it is that might accompany the departure of each spirit.
It is a cleverly structure play, featuring thought-provoking and immensely enjoyable dialogue. Its raison d’etre may ultimately feel somewhat prosaic, but the journey Everybody takes us on, is a very satisfying one. Dynamic work by lighting designer Morgan Moroney and sound designer Felicity Giles, ensure that the production is consistently energetic and vibrant. Set design by Stephanie Dunlop makes effective use of space, with a simple solution that keeps us all engaged with every stage activity.
Gabriel Fancourt’s direction delivers a show that entertains from start to finish, able to position a compelling sense of theatricality alongside earnest explorations of the text’s philosophy. A charming cast, including five brave performers who allow a nightly act of chance decide their fate, collaborate on a presentation unique to the live form. When playing the part of Everybody, Isaro Kayitesi is tremendously impressive, with a glorious combination of vulnerability, complexity and authenticity, that she renders with apparent ease. Giles Gartrell-Mills is our usher, comfortably authoritative in the role, but also disarming with a sincerity that he exudes quite naturally. Death is a comical character when portrayed by Annie Byron, whose unremitting joviality brings splendid contrast to the grim notions that she embodies.
God is omnipresent in Jacobs-Jenkins’ writing, but Nature scarcely gets a mention. In 2020, it is our natural world and environment that has become a major factor in how we conceive of mortality and the future. Perhaps God has all along been indivisible from Nature, yet so many of our minds have learned to have them separated. There is a lot of truth in saying that we create God in our image (and vice versa), and for those of us who think of God and Nature as different, this must be the day of reckoning, the final opportunity for us to come to grips with the fact that it is us who are at the mercy of Mother Earth.