Aanisa Vylet: What story does Lady Tabouli share with its audience, and who is Lady Tabouli?
James Elazzi: Lady Tabouli is a story about what it means to come to terms with the past, how the past can mould who we are as adults and how every single person we meet plays a part in our journey, right up to today. Lady Tabouli is freedom, within all the characters in my play. It is the protagonist but is also all the people that are related to him. It is a knock on effect. Lady Tabouli is a celebration, it is hope, it is healing the pain of yesterday to finally reaching a state of liberation. To live in our truth, or try our best to live life like that.
What inspired you to create this story?
My inspiration for Lady Tabouli is derived from the people around me. It’s inspired by people that I love and it is my love letter to them. It’s inspired by those trailblazers that did not accept what was expected of them. It’s about standing up for our right to be happy. But with happiness and freedom, there is a price to pay. Are you willing to pay this price? I’m inspired by those who do not live their lives in other people’s shadows. Brave, strong people that have been broken, but have healed and learned from their mistakes.
When did you realize that you were a writer?
I’ve been a writer ever since I knew how to write. I’ve only recently had the courage to share my stories with the world, I hope to allow change through storytelling. I want to represent my community and where I come from in a clearer light. To write about the complexities that exist within my community,
As an artist of colour living in Western Sydney, what would you like to see more of in our greater artistic community?
Different perspectives, different storytelling, migrant stories, stories about women that have broken the mould and persevered. I want to see all types of Australians on the stage.
What is the best advice that you have been given?
Every single rule can be broken. Never fear to have a voice and a to need to be heard. That change is never ending and our journey never ceases until we cease to breathe.
James Elazzi: Tell me a little about your new play Sauvage.
Aanisa Vylet: Sauvage is a myth that I have created about the patriarchy. The seed for this play began in 2015. I was living in Barcelona and I asked myself… who am I as a storyteller… beyond my religious background, my culture and my socialization? That question led me to create a myth. In doing so, I have found a sense of freedom that I could only imagine, not only as a storyteller, but as a woman. The play has been a joy to create. We look forward to sharing this joy and the many layers of this wild myth with you.
What inspires you to write?
The deep sense to fulfill a “need”.
What would you like to see more of on Australian stages?
More scratch performances and safe, supported spaces for artists to experiment.
A richer landscape of theatrical forms.
More Australian feminist theatre and practitioners.
More focus on the “spirit” of the work.
More Australian plays that do more than to sate our audience’s wants… I want more plays that know how to tap into what we need.
(I could say much more but, I will keep my answer short…)
What type of writers inspire you?
Ones that admit to having their own kind of genius and their own kind of foolery.
Things that you believe are essential in the world of writing.
The right to process. We demand our right to process, a process which allows us and our work to evolve.
Artist dates / processes of silliness and play.
A healthy personal life.
James Elazzi and Aanisa Vylet present new work at Batch Festival, by Griffin Theatre Co.
Dates: 25 Apr – 11 May, 2019
Venue: SBW Stables Theatre