Venue: 107 Projects (Redfern NSW), May 24 – 28, 2016
Director: Margot Politis
Cast: Taryn Brine, Grace Partridge, Margot Politis, Lauren Scott-Young, Claire Stjepanovic, Lucy Watson
Image by Sarah Emery
“The Forest Unyielding is a dynamic new study of mental health, set in a dark forest space representing the inside of a brain.” It might be considered a performance art piece, comprising six actors each demonstrating her own isolated corner of dysfunction. Some are in perpetual motion, and others are caught in modes of stasis. No words are spoken, but there is a potency of intent and presence that is inescapable.
Dylan Tonkin’s sensational set design keeps our eyes fascinated with a enigmatic blend of colours (with Emma Lockhart-Wilson’s lights) and textured surfaces providing an affecting approximation of a mystical fairyland, in which we roam and explore. Sound is thoughtfully orchestrated to provide tension to the ethereal environment, with a mixture of drone and spiritual elements by Thomas Smith controlling our visceral responses to the work.
Without the use of a narrative, The Forest Unyielding requires that we interact with its abstract displays instinctively. Each of the women are trapped in a repetitious cycle of activity and emotion. We observe them from a state of initial curiosity to varying degrees of understanding or perplexity, with director Margot Politis’ use of time requiring of us reflection and perseverance before we are able to encounter the depth of what is being represented. The space moves, but is non-changing for its 50 minutes, and it is the audience that experiences a transformation within.
The show is not always an easy journey, and its ending could be executed with greater flair, but the experience it delivers is unexpectedly satisfying. It relies on our selves to make the most of what envelopes us, and it is that investment of personal energy and thought that leads to an appreciation of the work. Passivity will not get one very far in this forest. We are used to being told what to think at the theatre, but on this occasion, our own devices are put to the test.