Rachel Tunaley: What have you learnt about yourself since moving away from home to pursue a career in the performing arts?
Sinead Cristaudo: I learnt first and foremost that no one is going to believe in myself for me. I think having to adapt to being in completely foreign surroundings entirely alone forces you to sink or swim. At some point you have to choose whether or not to back yourself, and there is definitely a hardness in me that I would never have developed without moving away from my home.
What’s your favourite moment to perform in the show?
I love the entire prom sequence, Norma gets to do all of her meddling which is so much fun for me. I also love the opening of our show, the way our very clever director and choreographer has set “In” makes it really meaty and layered so there is plenty to play with each time we run it.
What made you want to audition for Carrie?
I have loved the Stephen King story in its film adaptations and was elated to hear Louis Ellis Productions was auditioning for the musical of which I had always been curious but had never seen. I spent an evening listening to the soundtrack with my housemate Kristy who is also in the cast and we both got decidedly hyped for the auditions. I had also had the pleasure of seeing our director’s previous work of Parade the Jason Robert Brown musical and was in awe of how he presented a show I completely adore. I simply had to audition!
If you could play any role in musical theatre of any age or gender, what would it be?
Without a doubt it would be Mama Rose in Gypsy. Rose is an incredibly complex and flawed character that’s story is told through what I believe to be the best book written for a musical, accompanied with brassy golden age style music. Rose and Gypsy are everything I love about musical theatre, storytelling in a timeless and idiomatic way.
List three women who have inspired you to pursue a career in performing.
Barbra Joan Streisand must be first here, she is the strong, consummate icon I adore. I would sing her arrangements in our tractor shed to my audience of cane for hours, trying to sound exactly like her. Then without a doubt my dance teacher Louise Buljubasich and her mother Carol who cultivated my love for being on a stage from when I was four, exposing me to the wonders of Fosse and time steps and caring for me endlessly while I practically lived out my teens in the studio.
Sinead Cristaudo: What do you love about playing Chris Hargensen?
Rachel Tunaley: I’ve always been intrigued by villainous characters in shows. There’s just something so fun about playing a character so different from yourself and getting to be super feisty. I admire the way Chris doesn’t let anyone else define her and makes her own rules throughout the show, even though her morale are rather compromised. I also get a killer song and get to belt like no tomorrow which is a win!
Has a mentor or teacher ever given you advice that has shaped the way you approach and view performing, if so what is it?
A teacher I had at NIDA would always get us to look at a text, whether it’s a scene or a song, and he would ask us “what is this?” I loved this approach because there was no falseness to it. It would force us to just look at the act for what it is; “a confession of love”, “a song of mourning”, “an apology”. Asking myself this when approaching a new text forced me to get out of my “artists” brain trying to find a deeper meaning and just accept the text for what it was.
What do you think people love about the story of Carrie that sees it remade in film and revamped in theatre?
Well if you found the movie(s) too scary, I think you’ll find the musical is a little easier to watch. It’s still bloody and there’s still a lot of dark elements but it’s just hard to be scary
while singing show tunes to be honest. The musical also re imagines the characters Stephen king has created and sheds a different light on them that audiences may not have seen before.
What is your favourite part of the rehearsal process? What has it been so far in Carrie?
Definitely getting to do the blocking of ‘The World According To Chris’. I get to have my Regina George Mean Girls moment standing at the point of a triangle with my posse behind me and I’ve just never felt more powerful in my entire life.
What performances or pieces of theatre have inspired you most?
Gosh that’s a hard question because most theatre excites me and inspires me to be a better performer and to want to create something great. The first time I saw Rent the musical really struck a chord with me though. I guess I was used to musicals being super camp and glitzy so when I first saw it I was completely blown away. It depicted a certain honesty and tragedy in such a beautiful way which I wasn’t used to in musicals, plus the music is so damn catchy.
Sinead Cristaudo and Rachel Tunaley can be seen in Carrie the musical.
Dates: 25 Jul – 4 Aug, 2018
Venue: The Depot Theatre