Suzy Goes See’s Best Of 2014


2014 has been a busy year. Choosing memorable moments from the 194 shows I had reviewed in these 12 months is a mind-bending exercise, but a wonderful opportunity that shows just how amazing and vibrant, theatre people are in Sydney. Thank you to artists, companies, publicists and punters who continue to support Suzy Goes See. Have a lovely holiday season and a happy new year! Now on to the Best Of 2014 list (all in random order)…

Suzy x

 Avant Garde Angels
The bravest and most creatively experimental works in 2014.

 Quirky Questers
The most unusual and colourful characters to appear on our stages in 2014.

♥ Design Doyennes
Outstanding visual design in 2014. Fabulous lights, sets and costumes.

♥ Darlings Of Dance
Breathtaking brilliance in the dance space of 2014.

♥ Musical Marvels
Outstanding performers in cabaret and musicals in 2014.

♥ Second Fiddle Superstars
Scene-stealers of 2014 in supporting roles.

♥ Ensemble Excellence
Casts in 2014 rich with chemistry and talent.

♥ Champs Of Comedy
Best comedic performances of 2014.

♥ Daredevils Of Drama
Best actors in dramatic roles in 2014.

♥ Wise With Words
Best new scripts of 2014.

 Directorial Dominance
Best direction in 2014.

♥ Shows Of The Year
The mighty Top 10.

♥ Suzy’s Special Soft Spot
A special mention for the diversity of cultures that have featured in its programming this year.

  • ATYP



Photography by Roderick Ng, Dec 2014


Best of 2018 | Best of 2017 | Best of 2016Best of 2015Best Of 2013

Review: Heaven Help Us (Gherkin Global)

rsz_heaven_help_us_sirmaiadscn8386Venue: Bordello Theatre (Potts Point NSW), Mar 12 – 29, 2014
Playwright: Keith Bosler
Director: Keith Bosler
Actors: Lyn Pierse, David Woodland, Orlena Steele-Prior, Emma Galliano, Tai Scrivener, Nick Radinoff
Image by Sirmai Arts Marketing

Theatre review
From Goethe’s Faust to Dudley Moore’s Bedazzled, the story about a man selling his soul to the devil is a motif that western cultures are more than familiar with. For many, the journey through life is nothing but a navigation between good and evil, so it is no wonder that another play has surfaced, in which a character explores those dichotomous choices.

Keith Bosler’s work is not an attempt to offer up something new to this discussion. In his writing and direction, Bosler is an exorcist, determined to get to a conclusion where irrefutable goodness exists, and it triumphs in the form of romantic love. The predictability of his plot and obviousness in his story are disappointing, but the earnest voice we hear is ultimately a comforting one. There is an innocent, almost childlike tone to the show, in spite of the overt portrayal of Satan and his aides as lustful, crude and so very naughty. Bosler’s approach keeps the devil and his nemesis completely segregated, so the concepts of good and bad are never allowed to become complex.

The highlight of the production are actors Lyn Pierse and David Woodland who seem to be able to “sing the phone book”. Pierse’s God is ironically and perversely, the only multidimensional character in the show. She is simultaneously kind and caustic, and is keen to play with frivolity at every opportunity while also effectively poignant when gravity is required. David Woodland plays the devil with a lot of flamboyance. His work is filled with tricks and techniques to prevent the character from ever becoming too plain. Woodland is a highly entertaining performer, even if our devil here is written with little originality. The rest of the cast struggles to match up to these two scene stealers, but in the second half, Nick Radinoff comes to life with surprising and funny consequences, showing off considerable comic ability.

Heaven Help Us retells a story that is too familiar. It however does include an unusual transgender character Michaela, who was formally known as the archangel Michael. After years of doing good, she had transformed into the female form. The joke is somewhat reversely sexist, but amusing nonetheless. Grey areas are by nature controversial, but they are also much more interesting. There is no requirement that all art is made for controversy, but it should strive for something that is at least a little out of the box. The butterfly leaves its cocoon to take flight; the angel should follow.

5 Questions with Orlena Steele-Prior

orlenasteelepriorWhat is your favourite swear word?
‘Chupalo conchetumadre!!’ It’s one of the few phrases I know in Spanish.

What are you wearing?
100 denier opaque tights with reeboks and a stripy skirt and cardigan.

What is love?
Love is like a gentle sunny breeze on your face – it’s nurturing, compassionate and light.

What was the last show you saw, and how many stars do you give it?
I last saw Cat On A Hot Tin Roof and enjoyed it – was demanding in parts though. I’d give it 3.5 stars.

Is your new show going to be any good?
My new show is going to be awesomeness! Funny, endearing, insightful, charming and sexy. Ooops did I just describe myself? 😉

Orlena Steele-Prior stars as the angel Michaela in Heaven Help Us.
Show dates: 12 – 29 Mar, 2014
Show venue: Bordello Theatre