Venue: ATYP (Walsh Bay NSW), Jun 7 – 24, 2017
Playwright: Daniel Evan (after Sophocles)
Director: Fraser Corfield
Cast: Caitlin Burley, Jeremi Campese, Mia Evans Rorris, Joshua McElroy
Images by Tracey Schramm
Theatre review
The story of Oedipus and his mother/wife Jocasta has remained in our consciousness over the centuries. The resonance that it provides, whether emotional, moral or simply shocking, is unquestionably deep, but in Daniel Evan’s rendition, it is the tangents departing from the classic narrative that are its real concern. In Oedipus Doesn’t Live Here Anymore, the familiar tale of taboo and tragedy, provides the framework for a passionate and somewhat erratic theatrical experience. Less drama, more experimentation, Evan’s elaborate embellishments reflect a barrage of contemporary ideas that give an unmistakable impression of rejuvenation, although the sense of turmoil so characteristic of Sophocles’ creation is certainly missed.
Director Fraser Corfield uses the intricacies of the text, to formulate a dynamic staging memorable for its quick and vibrant episodes, featuring a host of colourful and surprising characters. The cast of four demonstrates extraordinary focus and conviction, along with an exciting inventiveness that gives their show texture, dimension and depth. Caitlin Burley and Jeremi Campese are confident players who connect effortlessly with the audience, both actors charming and entertaining with the diverse range of personality types they put forth. Mia Evans Rorris and Joshua McElroy provide stable grounding to the production, sensitive and considered in their approach to the many roles they inhabit.
The show is remarkably well designed. The formidable set, evocative of urban dilapidation is as dazzling as it is dangerous; Melanie Liertz’s transformation of the challenging space is quite an achievement. Emma Lockhart-Wilson’s lights address the play’s unrelenting movement of time and space, with excellent certitude and power. Sound by Steve Francis and Chrysoulla Markoulli’s music, give the show a splendid sophistication and cohesion.
It is not a particularly poignant retelling of Oedipus’ life, but we certainly come away gratified by the evidence of a successful collaboration, that showcases some very significant talent.
Suzy Goes See 