Review: Djuki Mala (Sydney Opera House)

Venue: Sydney Opera House (Sydney NSW), Jun 13 – 18, 2017
Director: Joshua Bond
Choreographers: Nikki Ashby, Joshua Bond, Lionel Garawirrtja
Cast: Wakara Gondarra, Baykali Ganambarr, Watjarr Garmu, Didiwarr Yunupingu
Image by Daniel Boud

Theatre review
Hailing from north-eastern Arnhem Land in the Northern Territory, Djuki Mala comprises a group of Aboriginal men who showcase their proud Yolngu culture through traditional and contemporary dance. Between the live action, video projections featuring interviews with the dancers and their maternal figures, provide background information that help us contextualise the lives being showcased on stage.

As the show progresses, significant influences from American culture, from Michael Jackson to Gene Kelly, become markedly present. Westernisation is a facet that insists on being incorporated into every Australian existence, but the purity of Yolngu heritage remains, even at the dance’s more colonised moments. Joy will persist, regardless of our oppressors’ intentions and efforts.

Whether the segments are choreographed to be quiet or rambunctious, this magnetic cast of five, bring a sense of celebratory spiritedness to all that they present. It is an enthusiasm that is tremendously infectious, and never fading. The greatest beauty of Djuki Mala lies in the luminous optimism of the people being represented, and the resilience that we witness. Successful Indigenous lives are evidence of a resistance that is ongoing and untameable, and these carefree dancers demonstrate that the best revenge is a life well lived.

www.djukimala.com