Review: Motherlode (The Hub Studio / Rue De La Rocket)

Venue: Actors Centre Australia (Leichhardt NSW), May 4 – 13, 2017
Director: Dean Carey
Cast: Jo Briant, Mel Dodge, Karli Evans, Lana Kershaw, Monette Lee, Jan Oxenbould, Natalie Rees

Theatre review
The journey begins from an unremarkable place. Seven women of Caucasian appearance sit in a row, talking about their children. The play is verbatim, with a script collated from interviews about the topic of motherhood, a life experience that many share, but little of which remains surprising. When humans bond, we can only embark with conversations that are pedestrian in nature, and then destiny decides if things can get deeper.

Halfway through Motherlode, the discussions become powerful, disarmingly so. The women begin to reveal the darkest of their lives, in order to get to the crux of how they manage their relationships with children. We can only love the way we had been shown, so much of the talk is about these women’s own parents, and one of these stories in particular, is nothing short of harrowing.

Actor Karli Evans’s retelling of a character’s shocking childhood encounters involving unimaginable abuse, is by far the most poignant of the vignettes that make up the play. Evans delivers the monologue with a sense of psychological accuracy, along with thorough emotional authenticity, causing us to not only witness the pain hidden behind some of our everyday facades, but also to understand the depth of meaning that having children could mean.

Similarly memorable is Monette Lee in the role of a bubbly, spirited immigrant of Russian origin, who offers balance to narratives that tend to depict Australia as being singularly bourgeois. Lana Kershaw’s portrayal of a lesbian-identifying sex worker and PhD candidate, who had chosen to be a single parent, adds immeasurable texture to an otherwise narrow image of motherhood. Both Lee and Kershaw use the outsider qualities of their parts to excellent effect, equally impressive with the exuberance they each bring to the stage.

The production concludes with a strong message of solidarity, but we think of the other mothers who are not represented on this stage. To understand our families, is to understand our cultures. It is not entirely clear if women of colour are among Motherlode‘s interviewees, but the increasingly diverse face of Australia requires that we broaden our conceptions about values and traditions. In anthropological investigations of motherhood, it is important to understand that we come from a range of backgrounds as varied as our skin colour. As we discover what it is to be an Australian mother, it is crucial to explore how our Indigenous women relate to the subject. If we are unable to cherish the past of this land, and if we continue to ignore the changing complexion of our evolution, we will never be able to completely know who we are.

www.thehubstudio.com.au | www.ruedelarocket.com

Response from show producer:
Thank you for seeing the show. And thank you for your comment about the casting – this is such an important issue and one we would like to briefly comment on. The production had culturally diverse collaborators on the project during its development process, but unfortunately due to last minute scheduling conflicts to do with family and work opportunities, a couple of cast members could unfortunately not proceed with the show. As we were unable to recast appropriately to tell the stories authentically, we decided to focus on this phase as a development stage of the project with a limited cast. We are really excited for the next phase where we will be actively increasing the culturally diverse stories told and broadening the conversation around motherhood.

Equus (Nomadic Artists)

equus1Venue: The Italian Forum Cultural Centre (Leichhardt NSW), Sep 11 – 28, 2013
Playwright: Peter Shaffer
Director: Michael Campbell
Actors: Martin Portus, Michael Brindley, Lyn Lee, Brinley Meyer, Lucas Glover

Theatre review
It is the reality of theatre in Australia that few companies are able to pull together enough resources to engage crew and cast from “the best in the business”. It is therefore always admirable when theatre groups are formed under less than ideal financial circumstances, to dream up and create a grand work of art. This production of Equus is bold in its vision, and for all its young participants (especially producer Elliot Marsh), a courageous and ambitious early step in their careers.

Michael Brindley plays Alan Strang with conviction and focus. His performance is an energetic and fearless one, but the young actor does come across miscast in the role. Brinley Meyer is strongest in the cast as Jill Mason. She brings a polish and confidence to the production, and elevates a relatively small role into a memorable one. Meyer’s portrayal introduces strong sexuality while maintaining a sense of authenticity to her characterisation.

All elements in this production are well-intended and dignified in their approach, but the lack of experience does unfortunately come into view. The story and themes do not communicate distinctly as a result, but the show’s concepts in its staging are strong. From the adventurous use of space and levels, to the creative choreographic elements in the representation of horses, good talent is displayed. This is very early days yet for Nomadic Artists, and Equus marks an auspicious start for greater things to come.

www.equusonstage.com.au

5 Questions with Elliott Marsh

elliotmarshWhat is your favourite swear word?
Fuck a duck. Ok that was 3 words.

What are you wearing?
Target. (Awkward)

What is love?
Anything you create it to be.

What was the last show you saw, and how many stars do you give it?
Fireface at ATYP. 3 out of 5.

Is your new show going to be any good?
I’m told its going to be good. Our artists stretch from an Opera director to Circus Performers! My experience of Producing is sometimes like being in a bubble. With so much to juggle its hard to step outside and reflect for a moment on how I’m going. I’m very humbled with the people involved. Read Suzy’s review here

Elliott Marsh is producer of Equus, part of Sydney Fringe 2013.
Show dates: 11 – 28 Sep, 2013
Show venue: The Italian Forum Cultural Centre