Venue: Kings Cross Theatre (Kings Cross NSW), Mar 6 – 10, 2018
Creation and performance: Kerith Manderson-Galvin
In Being Dead, Kerith Manderson-Galvin is constantly “corpsing”, or “breaking”, unable to commit to the theatrical device known as a character. This is all a ruse of course, in this avant-garde variant of the Don Quixote story. A work of art is to be created, a show is anticipated to be staged, and the accompanying ambitions are, as always, unimaginably grand. Artists needs to be brave; we expect performers to be polished up, ready and flawlessly poised, but that does not mean a negation of their humanly vulnerabilities.
Manderson-Galvin’s presentation embraces qualities normally prohibited. Hesitant, apologetic, confused and very nervous, the actor reveals all that conventional wisdom deems unsuitable for theatrical consumption. These states of being, although negative, are unquestionably authentic, and within the text’s radical employment, they become saliently relevant to its story of wild aspiration. To dream big, one’s weaknesses cannot be ignored. In throwing one’s all into a project, imperfections too require attention.
The character we see, never really knows when their show begins. They are fearful and indecisive, in a perpetual state of procrastination, but for the audience, it is clear that the performance is underway the moment we see the genius Manderson-Galvin pacing on stage, portraying the fear that grips anyone who wishes to accomplish something extraordinary. It is a strange discipline that is being flaunted, an odd coupling of overt awkwardness and concealed deliberateness. It is false bravado turned inside out, for an experience wonderfully unusual and perversely delightful.
Equally enjoyable are its several sequences of sheer beauty, unpredictable and comforting, gestures of kindness perhaps, to release us of its otherwise stubborn edginess. Lights by Jason Crick and sound by Jules Pascoe, keep the production contained and coherent, pleasant elements that we cling to, like a security blanket, amid Being Dead‘s resolve to challenge and disturb.
Unbeknownst to themself, our protagonist succeeds in their search for something magical. Preoccupied with anxiety, they fail to detect all the good that is being created. Fear is a monster, an adversary to be combated with great fortitude and ferocity. Strength will deliver victories, but stillness is necessary, if the rewards are to be appreciated.