5 Questions with Brooke Ryan and Peter William Jamieson

Brooke Ryan

Brooke Ryan

Peter William Jamieson: What are three words that define your character ‘Claire’?
Brooke Ryan: Naive, conflicted and raw.

You’ve got an interesting scene with Tabasco Sauce, how have you been preparing for it?
That scene is about so much more than just the sauce! But to answer your question… it’s taken teamwork, research & imagination to bring it to life. No method acting here!

What are you thoughts on the director and other actors in the process?
They really tickle my funny bone. All of them. And I’m waiting for someone to turn into a raging diva, but I’m probably the closest we’ve got to it!

Half the job’s done when you’re made to feel safe to explore this content – so I’m feeling particularly blessed in that department.

I love (the director) Rich’s brain. He’s a very clever man. Daring, edgy and funny too.

I get excited about playing with these people, they make me lift my game.

What’s one thing you want the audience to reflect upon when they leave the theatre?
So long as they’re reflecting on something, my job’s done. I’m not aiming towards selling a particular message, that’s too heady. I think the play will speak for itself and resonate with everyone differently. Early on I was concerned that some of the content may potentially trigger negative things in people but that’s no longer my concern. I trust that if you’re there and you’re watching it whatever comes up for you is supposed to, pleasant or otherwise.

What’s been the funniest moment in rehearsals thus far?
Answering this openly jeopardises the project… But keep your eye on David Woodland, he is one funny fellow.

Peter William Jamieson

Peter William Jamieson

Brooke Ryan: In your own words- what is this play about?
Peter William Jamieson: The sheer thrill of everything that’s bad, wicked and foul.

What attracted you to the role of Sid?
The fact he is the absolute opposite of me.

If Sid were an animal, what animal would he be?
Red belly black snake.

What are you thoughts on the director and other actors in the process?
Everyone involved is really pushing each other to do the best possible work. Richard’s vision for the piece is so vivid and inspiring.

You write as well as act. Which outlet do you prefer and why? And are you working on any projects at the moment?
Currently working on adapting a screenplay from a play I wrote called Retrograde.

Brooke Ryan and Peter William Jamieson can be seen in Year Of The Family by Anthony Neilson.
Dates: 10 – 20 Feb, 2016
Venue: Kings Cross Theatre

5 Questions with Prudence Holloway and Billie Scott

Prudence Holloway

Prudence Holloway

Billie Scott: What drew you to ‘The Girlie Show’?
Prudence Holloway: Definitely the subject matter, my character (Natalie) goes through such a universal journey to find out how much she’s willing to compromise her integrity for her dreams.

Do you believe there is still an element of homophobia in the performing arts?
Yes, I do think there is but the more characters like these that are portrayed on the stage and screen the more we widen the breadth of representation of sexuality out there to relate to.

How has working with this cast been?
The cast have been great; it’s been so much fun working on such an ensemble piece and getting re-obsessed with Madonna together. Also, who doesn’t love an opportunity to rock out in 90’s fashion!

In terms of the show, what has been the biggest challenge?
I got the opportunity to co-write a song for my character to sing in the show, which is something I’d never done before or thought I would be able to do. I’m also accompanying myself on guitar, which is a new thing for me, so not shaking whilst
playing is the biggest challenge.

Which three people (dead or alive) would you invite to a dinner party?
Bette Midler, Madonna (obviously) and Wayne Tunks(the director), because he would probably kill me if I didn’t.

Billie Scott

Billie Scott

Prudence Holloway: Why do you think people should see this show?
The universal feelings of rebellion and acceptance in our formative years most definitely but there is something quite fun in looking at those who we idolize while growing up and impact they have on us.

Favourite Madonna song and why.
Like A Prayer. No question. It’s one of my motivation songs, whether going to an audition, out, gym, whatever it is Like A Prayer will take you there.

Do you think we still have a problem with homophobia and accepting diversity in today’s society?
I definitely think we still have a problem, massively. However I believe the focus has changed, people are too concerned with calling out political correctness to see the actual harmful issues.

What do you do to relax?
To relax I watch films. I’m a massive film fanatic and nothing relaxes me more than cinema. That or I can be found sipping on a Prosecco in a linen shirt somewhere.

This show deals will some sensitive issues surrounding coming out. What advice would you give to someone struggling with that?
That’s a hard question to answer I think because every story is different. However I’ll say that I think unfortunately we live in a society that places so much judgement and expectation on who you are so early, based purely off ones nature or behaviour,
particularly on young effeminate males. So my advice would be to wait until you can make a decision yourself and try not to listen to how other people perceive your sexuality.

Prudence Holloway and Billie Scott can be seen in The Girlie Show by Wayne Tunks, part of Sydney Gay & Lesbian Mardi Gras 2016 Festival.
Dates: 8 – 20 February, 2016
Venue: The Old 505 Theatre (Newtown)

5 Questions with Kyle Kazmarzik and Matt Minto

Kyle Kazmarzik

Kyle Kazmarzik

Matt Minto: If you could sit down with anyone in history and have a good chat, who would that be?
Kyle Kazmarzik: Fairly recently in history, but Robin Williams. A legend, my idol, a beautiful soul and bloody hilarious. A chat would be difficult from the laughing but I just would have loved to meet him.

Has it been difficult juggling multiple roles?
Not really. Each has their own difficulties and distinctive characteristics which make it easier to flip between them.

What is the one role you are dying to play in your career?
It changes from time to time. Maybe Macbeth. Or Jim Carey in a biopic. But I’d kill to play a role in Star Wars, a dark jedi like Darth Vader or Kylo Ren.

If you could live anywhere in the world where would that be?
New York City.

Name 3 of your favourite actors?
I’ve already mentioned Robin Williams. And Jim Carey. I mean the list goes on and on. But to name a third, I absolutely adore Amy Adams. And a sneaky fourth: Kristen Wiig.

Matt Minto

Matt Minto

Kyle Kazmarzik: If you weren’t an actor, what would you be doing?
Matt Minto: I’m quite interested in psychology, so something in that field.

What’s your favourite play that you reckon you’ll NEVER be in?
A Streetcar Named Desire.

Half the show is in 1958. If you could travel back in time, when would you go?
Late 1960’s, London.

Have you ever ‘corpsed’, or almost ‘corpsed’ during a show?
Yep, I’ve corpsed way too many times. The worst was in a production of Macbeth where I spent, what felt like 10 minutes, shaking with suppressed laughter.

Which do you find more challenging, 1958 Oliver or 2016 Oliver?
They both have their challenges but probably 1958 because of the fact it’s a time period I have no direct experience of.

Kyle Kazmarzik and Matt Minto can be seen in Darlinghurst Theatre’s The Pride by Alexi Kaye Campbell, part of Sydney Gay & Lesbian Mardi Gras 2016 Festival.
Dates: 5 February – 6 March, 2016
Venue: Eternity Playhouse

5 Questions with Christy Sullivan and Stephen Mahy

Christy Sullivan

Christy Sullivan

Stephen Mahy: Hey Stephen Schwartz is coming to town, want to have a sing with him?
Christy Sullivan: Yes, please!

What is it about performing that makes you do it?
That you get to be a perpetual child; always at play! And that you you are lucky enough, through doing that, to make people feel.

Where do you find peace when it’s all too much?
I find peace by the beach. Either standing on the rocky cliffs or down on the sand and in the water.

Cliché, but what’s the dream role?
My dream role is Eliza Dolittle. Either in Pygmalion or My Fair Lady (not this time though!) You get to be the street urchin who turns into a princess, best of both worlds. And I do love accents!

Stephen Schwartz offers you one of his shows to star in, what is it?
The Baker’s Wife.

Stephen Mahy

Stephen Mahy

Christy Sullivan: When was the moment you decided to make performing a career?
Stephen Mahy: I was 21 and performing an amateur version of Les Mis, selling mobile phones and weighed up what was better. Auditioned for the acting schools and went to WAAPA.

Why do you love to sing?
Singing makes me happy, scared, annoyed, frustrated, determined and dedicated. In the words of Eddie Murphy from Delirious, “all you got to do is sing” and the rest follows.

If you could only sing, play an instrument or act for the rest of your life, which would it be?
I would act for the rest of my life. It’s too much fun acting like someone else.

What’s your favourite Stephen Schwartz song to sing and why?
To date I have only ever sung “Wicked” but, I’m really looking forward to performing the song I am singing at the Theatre Royal.

Have you ever sung defying gravity?
The last few bars, every time!

Christy Sullivan and Stephen Mahy are singing at Stephen Schwartz: In Conversation With Leigh Sales .
Dates: 13 Feb, 2016
Venue: Theatre Royal

5 Questions with Jordan Cowan and Tim Franklin

Jordan Cowan

Jordan Cowan

Tim Franklin: What about Tender Napalm drew you in?
Jordan Cowan:The way in which Phillip uses language is so powerful and beautiful. There is something about the way he uses heightened language in such a domestic way that took me by surprise. It’s really fucking honest and intimate and doesn’t shy away from the hard stuff and I really dig that.

How do you find the Sydney theatre scene compared to your home town Radelaide?
I love the Sydney theatre scene, it is a lot more diverse and there seems to be a lot more companies just doing what they do best and finding an audience for that. I love Adelaide don’t get me wrong but there simply isn’t as many people so it’s hard for indie companies to get off the ground.

How are you feeling about performing in such an intimate space like the Old Fitz?
I love the Fitz, there is something so magical about the space it is simple and honest and won’t hold anything but the truth and I love that. It’s the perfect space for the show and I’m excited to just be able to talk to people and tell this beautiful story. That’s what theatre is all about right?

What is your favourite line in the play?
Ahhh there are so many but I think, “My cry of grief was so loud it created a black hole in the universe” is pretty beautiful.

What was it like working with the amazing Tim Franklin?
I would like to say how much of a loser he is BUT he is one of the most generous actors I have ever worked with and I couldn’t imagine doing the show with anyone else. He is as honest as they get. Oh, and a total goob.

Tim Franklin

Tim Franklin

Jordan Cowan: What do you love most about Tender Napalm?
Tim Franklin: At the moment I’m having a serious love affair with the poetic nature of Phillip Ridley’s writing. The play has such a dark subtext but the chinks of light that break through are blindingly beautiful.

What has been the most challenging part of the rehearsal process?
I hate to say it but it’s the answer to the age old, “how did you learn all those lines?” I usually say something like “its how you do anything, you do it again and again until you get it” but fuck me there are a lot of lines! My brain is leaking.

What do you think the audiences will love about the show?
I think the audiences will love the fantastical imaginary world that we will create in this extremely intimate space. Hopefully they will like the way we say the words and how our face moves too.

What is your favourite line in the play?
That’s a hostile question. I can’t choose, I wont choose, I refuse to choose. So I’m going to pick three.

“Oh her eyes! Its like gazing into a universe, I see stars and dinosaurs and whales and skeletons and spaceships.” Yummy

“I remember… at one point, as we were struggling with him on the bed, dad’s eyes sort of locked with mine and it was like… like gazing into a million years of stuff.” Ahhhh that one makes my heart hurt.

And last but not least

“your cunt…. Its such a precocious thing”

….yep

Three words that best describe the show?
Fantastical. Poetic. Tragic.

Jordan Cowan and Tim Franklin can be seen in Tender Napalm by Phillip Ridley.
Dates: 19 – 30 January, 2016
Venue: Old Fitz Theatre

5 Questions with John Anthony and Craig Meneaud

John Anthony

John Anthony

Craig Meneaud: What attracts you to perform?
John Anthony: Escaping and becoming what often feels like the more authentic me! I’ve been playing and singing music since I was 9 and have often felt more comfortable on stage.

What’s the best thing about creating the world of Wind In The Willows?
The joy it brings young families. The excitement for the kids and the wonderful quirky charm of all the characters.

Have you ever been boating on a river and how did you find the experience?
Did the Hawkesbury River on a house boat one New Years with some nearest and dearest. It was amazing fun.

Who is your favourite childhood hero and why?
Ulysses! He was this amazing 80’s cartoon hero who looked like a cross between Han Solo and Jesus! He had a laser/light saber and I love him still! He has strong family values and a gentle nature with the ability to kick ass when needed!

Describe yourself in 3 words or less.
Silly. Passionate. Intense.

Craig Meneaud

Craig Meneaud

John Anthony: Why are you doing Willows?
Craig Meneaud: I’ve had a bit of an enduring relationship with the play Wind In The Willows. I remember seeing a puppetry version of the story when I was about5 or 6 years old (our school took us on an excursion) – I was utterly entranced with the story and the performers.

I’ve since been cast in the play when in drama school at Theatre Nepean; later on I had the chance to direct the play for TAFE’s Theatre and Performance course. So I guess I’m doing the play not only because I love
the story (and the almost mythic quality about these characters), but also because the play seems to be calling out to me in a strange kind of way.

Who’s your favourite character?
My fave character – well that’s pretty tough because they are all so fantastic in their own special way. But it would have to be Ratty – his love affair with the natural world and his sense of loyalty to all his
friends are pretty special and worthy traits.

Who would win in a fight between Badger and Ratty?
Hah! It would no doubt be Badger – well, I think so anyway (in a physical kind of contest at least). Although there is something to be said for deft nimbleness of the body and a certain quickness of mind. Perhaps it wouldn’t be so clear cut after all!

Describe the colour yellow to somebody who’s blind.
The colour yellow is like peaches and custard – or another way to describe yellow would be to say it’s the warmth of the sun on a cold wintry day, and the light that wakes you in the morn to start your day.

What do you think Rabbits dream about?
Rabbits must dream of endless plates of carrot dishes served up in impossibly special and exotic number of ways. And while they sleep, I’m sure Rabbits are devising ways to put tolls on more and more public access
routes – a bit like the Government in the big Wide World!

John Anthony and Craig Meneaud can be seen in The Wind In The Willows with The Australian Shakespeare Company.
Dates: 6 – 23 Jan, 2016
Venue: Royal Botanic Gardens, Sydney

5 Questions with Ryan Henry and Cherilyn Price

Cherilyn Price

Cherilyn Price

Ryan Henry: If you could sum up your character Zoe in three words, what would they be and why?
Cherilyn Price: Steadfast – someday we’ll find it, the rainbow connection, the lovers, the dreamers and me. Pugnacious – willing to march into hell for a heavenly cause. Passionate – open your heart to me, baby, I hold the lock and you hold the key.

What’s the most challenging and rewarding part about playing a character who has a younger self played by another actor in Through A Beaded Lash?
Most challenging: having a gorgeous young actor like Emily play the younger version, gee she must have really let herself go!!! Most rewarding: working out some shared mannerisms and vocal intonations so, hopefully, it’s not a total stretch for the audience to believe that it’s the same person 30 years later.

What excites you most about this production?
Lots of things about the play excite me, I spent the early 80’s nearly living on Oxford St, dancing the night away on the strip with my friends and so this is a very nostalgic experience for me. But my favourite part is that the play is written by a very dear friend of mine and I know this play is very close to Robert’s heart, so it’s a thrill to see it come to life.

If Zoe had a reality TV show, what would it be called and what would it entail?
Australia’s Next Top Fag Hag. A fly on the wall expose of Zoe’s teaching methodology as she puts fag hag wannabes through their paces!

In regards to acceptance of the LGBT community, what’s the biggest change you’ve noticed over time?
From my perspective, a big physical change is the decentralisation of gay bars. There used to be that large concentration of pubs and clubs along lower Oxford Street, like a beacon, and people would bar hop and run into friends and acquaintances along the way. The strip has now been diminished, not sure how many of the original clubs remain. Then of course over time there’s been increased legal recognition for same-sex couples and families and of course the push for marriage equality (um wake up Australia!) and the increased introduction of LGBT characters on television. These are all massive changes from the Sydney I first encountered when moving here in the 80’s.

Ryan Henry

Ryan Henry

Cherilyn Price: Your character Brent performs a drag routine within the play, how was that and how did you prepare for the scene? And how do you walk in those heels?
I’d be lying if I said that that particular process was a walk in the park. It really all came down to confidence and the right mindset. Knowing that when I walked on stage that I had to believe I was the most fabulous person in the room. That when I sang, every word sung was the only truth to be heard. With that in mind, cockiness and a narcissistic attitude are your best friend as a drag queen. As for the heels; countless hours of practice in rehearsals and realising beauty really is pain.

Who’s your favourite – Judy, Barbra or Bette?
Oh thats a tough one. As much as I adore this entire trio of performers, I’m going to have to say my heart lies with Barbra. I can’t deny my love for a broadway musical and it wouldn’t feel right to say someone could top the queen of the stage herself.

The play talks about the gay community of the 80’s, do you have sense of community where you live?
It’s difficult to answer this. I come from the western suburbs out in Penrith where there is a lot of stigma about people from their being very narrowed minded. I wouldn’t say that’s 100% accurate but there isn’t a sense of community for me personally as opposed to when I travel east and hit the city. I’m fortunate enough to be surrounded by friends and family who do bring about a sense of community, but I’m always reminded of a lack of community the moment you step beyond friendship and family ties.

What’s the worst thing you’ve ever done?
That depends if you included the things I haven’t been caught for! I’m kidding… sort of. I guess I would have to say, lying to work about a family illness to get out of a shift, which is awful I know! I just really didn’t feel like working and that was the first thing that popped into my head.

Who would you throw yourself under a bus for?
The obvious answer would be my family, friends and partner. No question. But if it was a choice between them and say, Meryl Streep, I honestly doing know who would survive that situation. I mean… Meryl is basically god, am I right?

Ryan Henry and Cherilyn Price can be seen in Through A Beaded Lash by Robert Allan.
Dates: 25 Nov – 12 Dec, 2015
Venue: The Depot Theatre

5 Questions with Caitlin Berry and Beth Daly

Caitlin Berry

Caitlin Berry

Beth Daly: What movie would Little Edie star in if she were around today?
Caitlin Berry: Edie would be the most sensuous Bond girl you’ve ever seen! She would also star in the opening credit song; lots of daring silhouettes.

Edie is very eccentric, what is your most eccentric quality?
She is indeed. Caitlin is not as eccentric, but I’d say I have the loudest laugh at a party and I like to count tiles when I’m in a bathroom. I also (stupidly) get superstitious around show time; no new shoes on the table, or saying “the Scottish play” backstage.

How did you create your younger version of Edie when there is no documented footage?
When Edie was filmed in the 1975 documentary, she was still very childlike and playful. I don’t think her youthful energy ever lessened. I can only imagine it was more intense when she was 24. I researched the era very well, and made sure I took note of the times Edie spoke about her younger years. Drew Barrymore also does a great interpretation of Little Edie in the HBO series, which I used as a reference too, when imagining my own Edie.

What draws you to Grey Gardens the musical?
This musical is so beautifully written. The music captures the era and the writing serves the women very well. It’s very special to be part of something that is based on real life events. Their story is stranger than fiction, and deserves to be told.

What’s your favourite thing about working with Beth?
Beth is a hoot. She is very warm and funny in rehearsals. We share the same dorky characteristics, and can both poke fun of ourselves with ease. My favourite thing about working with Beth is also that it’s never happened before! Beth and I have known each other for many years and had always hoped there would be a day we could share the stage!

Beth Daly

Beth Daly

Caitlin Berry: What bits of Beth can we see shine through Little Edie?
Beth Daly: My marching skills definitely – I was Physical Culture champion girl for 7 years running. Finally I get to use it! And I think I can be just as cute as Edie.

What clothing label would Edie pioneer in this era, and why?
No doubt recycled clothes re-invented. And she would have an absolutely fabulous line of capes for the staunch woman!

How do you get your head around playing two different characters? What helps you get into each one?
I love that each women is so physically and vocally different. So I walk around as each one saying a key phrase for each. For Edith: “Sing… me? Twist my arm, blackmail me, threaten my very life, and who knows? You might get a verse of something!” For Edie: “I’m extremely organised, I’ve got everything under control, kid.”



What would you say to Little Eddie, if you could?
Let’s put on a cabaret together!

Are these women tragic or heroic?
Both. I feel the depth of the tragedy of what could have been, but I revel in the power of these two women to stay true to themselves and make the best of what comes their way.

Caitlin Berry and Beth Daly are the two Edies in the Grey Gardens musical, by Squabbalogic.
Dates: 18 Nov – 12 Dec, 2015
Venue: Seymour Centre

5 Questions with Toni Scanlan and Jamie Oxenbould

Toni Scanlan

Toni Scanlan

What characters do you play in Good Works?
Toni Scanlan: Mrs. Kennedy – who is a working class woman with a strong connection with Catholisism and who has a daughter who challenges and disregards the social and religious expectations of the church.
Mrs Donovan – initially from a poor background and is now a social pillar of society. She is a glamorous, controlling woman who completely understands her role in her adopted community.
Sister John – A nun.

Nick Enright , the writer of Good Works, is a theatre legend. Did you ever meet him or work with him?
I met Nick through a couple of his friends who became mine – which inadvertently led me to being cast in his first production of Daylight Savings at the Q Theatre. I remember saying to him after the first read of the play on that Monday morning, “Don’t worry Nick I’m a better actor than I am a reader”. He just laughed this warm wonderful thing. Nick’s are the best “deathbed anecdotes” I have ever heard. Told to me by two of his closest friends. I’ve been telling them now for some time. They make me feel less worried about dying!

What’s you earliest memory of performing?
Earliest memory of performing was at the drinks party Mum held at home for the Chairman and bosses from the “shipping and export” department at Wesfarmers. This is the 60s. Mum’s high heels, shorts, mid-drift top and castanets. Humming a Spanish tune. This was my idea – my mother was completely unaware of what I was about to do.

Name your 3 most memorable shows, either as audience or performer?
1. Richard III performed by a Georgian Company. I was at Drama School in London. This was at the Round House. The play was, of course, spoken in Russian, I had never read it and it was the clearest Shakespearean play I have ever seen to this day.
2. An Evening With Erik Satie. In the tiniest theatre (max 30 people) on Isle de Cite, Paris – one man, one girl, a piano and 50 minutes. Heaven!
3. All My Sons was a major thing for me. I’ve now performed in a few plays by Arthur Miller and they are all up there with, arguably, some of the best work Ive done but there was something about this production… the cast and the director, Iain Sinclair, it was incredibly special and I will never forget it.

What’s your dream role?
Easy. Bessie Berger from Awake And Sing by Clifford Odets. Any takers?

Jamie Oxenbould

Jamie Oxenbould

You play several characters in the play, can you briefly tell me who they are?
My characters are Alan – a friend of Tim, one of the two central boys, who we meet in a gay bar in 1981. Iain Sinclair (our director) described him as a gay Mr Miyagi (Karate Kid reference for those in the dark). Brother Clement – who is a homophobic, sadistic teacher at the country Catholic boys school where our two central boys meet. Barry Carmody – who owns the local pub. A bit of a boofhead, besotted with Rita the firecracker barmaid and also partial to giving boys a beating. And Mr Donovan – the town’s lawyer and church elder who represents the puritanical, patriarchal side of rural Australia in the 1960’s.

Nick Enright , the writer of Good Works, is a theatre legend. Did you ever meet him or work with him?
I did meet him a few times. And I also worked with him acting in The Three Sisters at the Old Fitz many years ago. A true gentleman, a bit cheeky and a very charming actor. He was an icon of the industry and I would have loved to have been taught by him at some stage.

What’s your earliest memory of performing?
I did a play called Charlie’s Aunt at high school. I must have been about 16. It was a very corny farce and I got my first taste for laughs. I’ve been on the hunt ever since.

Name your 3 most memorable shows, either as audience or performer?
La Fura Dels Baus. A Spanish company that toured here in the 80’s. Just wild anarchy and visceral madness in the Hordern Pavillion. There were chainsaws and blood and weirdness. You had to run out of the way of the performers or risk injury. To a youngster starting out in theatre it was a real eye opener. Nicholas Nickleby – The STC did it in the 90’s (?). It was about an 8 hour production with a massive cast and just a fabulous piece of storytelling. I laughed and cried for the whole Dickensian ride. As a performer I would say Fully Committed at the Ensemble Theatre. It was the first one man show I did and basically after doing that you lose your fear of doing anything.

What’s your dream role?
Either King Lear or Mary Poppins. I’m going to go with Mary Poppins.

Catch Toni Scanlan and Jamie Oxenbould in Darlinghurst Theatre Company’s production of Good Works, by Nick Enright.
Dates: 31 October – 29 November, 2015
Venue: Eternity Playhouse

5 Questions with Sinead Curry and Nathaniel Scotcher

Sinead Curry

Sinead Curry

Nathaniel Scotcher: What animal that would play you in the story of your life?
Sinead Curry: An otter would play me in the movie of the story of my life. It would be called “Call of The Wild: One Otter’s Journey from River Obscurity to Voice Over Success”.

If your character was an ice cream flavour, what flavour would she be?
Melanie would be a double scoop combo of Vanilla and Pralines, served in a children’s-sized cone. She’s watching her weight.

If your character and Nate’s character went on a date, where would you go and what would you say to keep him interested?
Randy, being 14, must surely still be interested in parties; Melanie would take him to a funland playground-cum-bistro, and they would eat fish fingers and talk at length about his fork collection. If Randy could resist his urge to stab, that is.

Do you think Nate’s picture should have been on the postcards instead of yours?
Definitely. Nate’s bone structure is way more alluring and would lead to more ticket sales. Also, Nate’s skin tone is warmer and more welcoming than my pasty hue. Maybe if we had Nate’s face on the Australian currency instead of the Queen the AUS Dollar might improve?

If you could be Nate for a week, what would you do?
I would dance all of the time, and in my breaks from dance, I’d swim the English Channel. I’d also get many tattoos of Rabbits.

Nathaniel Scotcher

Nathaniel Scotcher

Sinead Curry: If Randy was a song, what would it be?
Nathaniel Scotcher: “Living Dead Girl” by Rob Zombie or “Gay Bar” by Electric Six.

What do you know about rabbits?
When I was a young lad I used to breed dwarf rabbits and sell the babies to pet shops. They were very cute and I spent many hours looking after them, however, I’m not sure that I ever really knew them.

If you could give Sinead one piece of career advice, what would it be?
Just be the artist you are and you will continue to shine brighter than the sun. Be true to yourself, coz yourself is marvellous!

What is your favourite piece of Sinead’s clothing?
Sinead has an eclectic assortment of tiny T-shirts that are tricky to decipher, this amuses me when I get bored in rehearsals. She also looks smokin’ in them.

Could Sinead be any more attractive?
I don’t believe she could be any more attractive, especially when she is doing her odd little Kath and Kim dance in the show… so elegant.

Sinead Curry and Nathaniel Scotcher are appearing in Roadkill Confidential, by Sheila Callaghan.
Dates: 11 – 28 November, 2015
Venue: Kings Cross Theatre