Review: Exhale (Black Birds / Griffin Theatre Company)

Venue: SBW Stables Theatre (Kings Cross NSW), Apr 9 – 13, 2019
Creators & Cast: Ayeesha Ash, Emele Ugavule

Theatre review
They live in Sydney, but they struggle to call it home. Ayeesha Ash is Māori Grenadian, and Emele Ugavule is Tokelauan Fijian. Their work Exhale relates to the sense of displacement that many experience in the metropolis, and the questions inevitably raised about background and origin, when examining notions of belonging. The artists identify in each other, the alienation that results from complex historical and ongoing operations of colonialism. They connect through a yearning for indigeneity, and it is this reclamation of cultural roots, that forms the substance on which, we too, can connect.

A thoughtful compilation of audio recordings and visual projections, help us visualise the women’s longing, but it is their very presence, as individuals and as a pair, that speak most saliently. Ash and Ugavule are compelling performers, both captivating with everything that they bring on stage. Their fifty-minute presentation is enjoyable and though-provoking, but explorations in Exhale have a tendency to feel too polite. The production is gentle, with moments of tenderness that are genuinely beautiful. Its spirit is evident, but it feels contained, perhaps hesitant with what it wishes to reveal.

Ash and Ugavule speak with their elders, who prove to be evasive, intentionally forgetful in their efforts to get on with life. We see in the young women, a frustration and a disquiet perhaps, but we wonder if a more urgent anger, could be helpful in the advancement of their stories. Not many of us are natural soldiers, but there are aggressors who will come to violate those who are peaceful, and when push comes to shove, one has to find the warrior within, even just for a brief theatrical sojourn.

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