Venue: Old 505 Theatre (Newtown NSW), Feb 5 – 9, 2019
Playwright: Becca Hurd
Director: Ellen Wiltshire
Cast: Becca Hurd
Images by Jasmin Simmons
Amory is 27 and pregnant, but tells us that babies are not her bag. Life is taking her on a journey, and she believes that to fall pregnant, is to take a pause from her meaningful experience of something much greater. Becca Hurd’s The Other Side Of 25 is indeed about the meaning of life, and quite accurately, its protagonist discovers that there is little as wonderful about existence, as it is to be of service to loved ones. It is soon revealed that Amory is surrogate, on behalf of her sister who has a medical condition that causes problems with child-bearing.
The one-woman show format compels its playwright to make deeply personal revelations that in turn, inspire our own reflections on big questions surrounding convention and inventiveness, the mundane and the sacred, ephemerality and legacy. Its unpretentious honesty allows a deceptively simple story to be told, in a style that is strikingly casual, by director Ellen Wiltshire who catches us unawares with the philosophies that the show contains. Hurd herself performs the piece, with a disarming immediacy that makes us imagine that everything must be autobiographical. Her instinct for the stage insists on our undivided attention, and we follow her every progression in relaying Amory’s story.
When we stop to think about procreation, the amount of reasons that can dissuade an individual from taking the plunge can be daunting. Amory’s decision to carry her sister’s baby is one of logic, but the vast majority of pregnancies occur in a space of emotion and intuition. We can delude ourselves into thinking that we have complete understanding about our individual paths in the world, but in a moment of control being usurped, Amory finds herself unwittingly transported. What was once a hindrance, turns in a flash, into something to be cherished above all else.