Alex Rowe: What made you want to be an actor?
Sarah Greenwood: I was eight and the soccer season had finished so I needed something to do on my weekends. I started workshops at the Brisbane Arts Theatre on Petrie Terrace, the most haunted building in Brisbane, and I was hooked. I worked with them, and anyone else who would take me, for the next ten years until I was accepted into the WAAPA Acting course. I love the people you meet. I love the excitement in anticipating of an opening night. I love the joy of discovering a character. What’s not to love?
From graduating drama school and settling in Sydney, how has the journey been so far?
I haven’t been here very long. I moved here in January 2017. I was lucky, as a WAAPA graduate there is an enormous community here to help you settle in. Nearly my entire class moved over from Perth as well. We’ve all had different journeys but it made it easier to have my friends here to commiserate and drink red wine. I miss Brisbane but it’s nice to be out of uni and getting my stride.
What’s been the biggest challenge and biggest joy of the rehearsal process so far?
The juggling act is always a challenge. I have a terrible habit of over committing myself but I always seem to find the energy to do everything! I have found great joy in acting out the creative process in this play within a play. It’s a little tongue in cheek and it’s always fun to laugh at yourself.
This play involves some confronting and terrifying experiences for the characters, how has it been acting in these particular scenes?
As my character Meg would say, I was acting! Isn’t that what we were supposed to be doing? Acting?
Will you invite your grandparents to this play?
I wouldn’t have been able to stop my Nanna from coming although I’m not sure she would have approved of some of the content. She used to take me to shows all the time. My Grandma on the other hand is waiting until she sees me in TV Week!
Sarah Greenwood: What was your first impression of the script when you read it?
Alex Rowe: My first impression was that even though this was written by an American and debuted in the year 2000, these issues and characters are prominent in Australia today. The writer, Nancy Hasty has successfully captured the different types of actors and also the submissive nature towards people with ‘power’ in the industry.
As a play within a play, what has The Director taught you about your own creative process?
It’s been interesting to play an actor in rehearsals, whilst being an actor in rehearsals. What this play has made me think about is James Dean’s relationship with his directors. I read a few of his biographies and he was known to argue with directors about his craft, that he thought actors were treated like puppets, told what to say, when to say it, where to say it and how to say it. I think actors now, at a time when everyone wants to be in the spotlight, are reluctant to speak up and will go with the director’s choice with the utmost trust, as jobs are far and few between and they are cautious of being blacklisted. In no way am I suggesting that I will wait in my caravan “until I’m ready to work”, which James Dean allegedly did, but it’s made me think about an actors job and their relationship with the director.
How have you found the Sydney scene after living in Melbourne?
The biggest change is obviously the weather, I’ve really enjoyed not dressing like I’m going to the snowfields during winter. Also, my family are based in Sydney, so it’s been really nice being around them and my nieces and nephew.
What is your favourite line from the play?
When Peter, the director referred to in the title of the play, asks my character John “Where’s Sally?” and John responds “I locked her out on the roof”; I find this funny and endearing that John thought by locking Sally on the roof he was really “pushing the boundaries” to hopefully impress Peter.
In the play Peter wants to ‘break through barriers’ to reality, have you seen a performance that made you forget you were watching an act?
An Australian actor who continues to impress me with his performances is Ben Mendelsohn. One of his most recent films Una starring the also incredible Rooney Mara, was one that stands out in regards to profound naturalistic performances.
Sarah Greenwood and Alex Rowe can be seen in The Director by Nancy Hasty.
Dates: 25 Oct – 10 Nov, 2018
Venue: Actors Pulse Theatre