Venue: The Actors Pulse (Redfern NSW), Oct 10 – 20, 2018
Playwright: Melissa Lee Speyer
Director: Paul Gilchrist
Cast: Rose Marel, Emily McKnight
When the story begins, Jodie is seventeen and finishing up high school, but instead of exams and puppy love, it is her failing health that becomes all-consuming. To have her dug out of doldrums, chirpy schoolmate Clara is sent by parents to be the gallant lifter of spirits. In Melissa Lee Speyer’s TickTickBoom, the heart is the subject, literal and figurative, as we observe two young women navigate life and friendship, with a constant and unassailable reminder that death is always around the corner.
Big existential themes are cogently woven together by Speyer, who presents her observations in a manner that is indelibly tender and benevolent. The production struggles to establish an effective sense of humour, but its heavier sections are certainly sensitively rendered. Director Paul Gilchrist’s earnest approach makes for a warm, contemplative experience, and although chemistry between actors can seem inconsistent, both demonstrate undeniable talent, as they proceed to find authenticity, as well as integrity, for their respective roles. Rose Marel brings a valuable vulnerability to Clara, so that we can have an appreciation of the character beyond her shiny exterior. Emily McKnight is convincing in her performance of Jodie’s recalcitrance, for a portrait of teenage angst that we are all familiar with.
Time means nothing to this earth. It is the vanity of our mortal selves that creates the notion of time, and the notion of life running out. When Jodie is fearful of death, she is paralysed, unable to pay reverence to the ticking seconds that she so anxiously counts. To believe in time, is to imbue it with meaning. Species can come and go, but the world will evolve regardless of our individual fates. For each of our personal domains however, to make this fleeting existence bearable, will require a thing we name spirit, whatever one would like for it to mean.