Venue: Kings Cross Theatre (Kings Cross NSW), Nov 6 – 25, 2016
Playwright: Jessica Tuckwell
Director: Cathy Hunt
Cast: Thomas Campbell, Lucy Suze Taylor, Catherine Terracini, Contessa Treffone, Geraldine Viswanathan, Michael Whalley
Image by Clare Hawley
Joy is the emotion that manifests as protagonist in the 2015 Pixar film Inside Out, which explores emotions as separate entities in a human child. Jessica Tuckwell’s Tiny Remarkable Bramble can be seen to be similar in approach, with the quality of melancholy instead taking centre stage. The play is cryptic, and surreal in style, allowing the viewer a certain amount of freedom for the creation of meanings that could lead to personal interpretations that resonate with power, or could simply be an absurdist comedy that proves itself inconsequential, depending on the viewer’s tastes.
Smart, snappy dialogue is inventively formulated for the creation of six very quirky characters. There is considerable profundity in Tuckwell’s writing, in spite of a less than gripping plot line that leads us to a predictable end. Cathy Hunt’s direction of the piece is vibrant, playful and energetic in its thorough excavation of erudite gems, submerged in the densely fertile text. The show is fun-filled, featuring a group of actors that seem to be in a state of complete merriment, thrilled to be delivering ripples of laughter in a series of brilliantly humorous sequences.
Central figure Alice is played by Geraldine Viswanathan, appropriately apathetic for a sarcastic depiction of dispassionate and hopeless lethargy. Thomas Campbell steals the show as the belligerent Brigadier, fantastic in all his flamboyant flourishes, with a deeply charming presence that has us mesmerised and wanting more. Equally endearing is the memorable Contessa Treffone, desperately adorable as Pipkin, fragile and literally bubble-wrapped, representing a part of ourselves that can be too delicate and overprotected. The cast’s excellent chemistry and confident timing are the production’s strongest features, responsible for a night of theatre simultaneously challenging and entertaining.
Much of life involves wrestling with negativity. Personal insecurities, fear and despondency are constant threats that prevent the development of each of our own potentials. Many of us find it difficult to participate in society because pessimism is crippling, and always just a membrane away from stifling our creative energies. In privileged societies, we have everything that we could possibly need, but our materialism forms the basis of many constraints that we so frequently encounter. We think we have so much to lose, until we remember the transience of being, and start to appreciate the possibilities that can only come before death.