Venue: Old 505 Theatre @ 5 Eliza St (Newtown NSW), Nov 10 – 28, 2015
Playwright: Drew Fairley
Director: Gareth Boylan
Cast: Matt Bell-King, Gerard Carroll, Lucy Miller, Natalie Venettacci
Dot Dot Dot involves a Victorian era prostitute getting high, a psychic medium speaking with ghosts, a serial killer on the loose, and a newspaperman with dubious intentions. The ingredients are certainly spicy, but the concoction is not always an easy one to digest. In its efforts to provide both entertainment and social commentary, the play struggles with its balancing act, and falls short on both counts. There are interesting characters and fascinating scenarios to be found, but for a show in the mystery/suspense/thriller genre, its plot struggles to deliver the tension and intrigue it sets out to achieve.
The cast of four is not sufficiently cohesive, but actors are individually accomplished. Lucy Miller is captivating as Babette, with a solid and seductive presence that helps sustain our attention. There is a quality of natural and sultry darkness in the actor’s approach that gives the production its eerie, Gothic flavour. Equally appealing is Matt Abel-King, whose portrayal of young men in the late 19th century provides a sense of accuracy to the time and space his characters inhabit. Abel-King is a charming performer, with a whimsical edge that enlivens the stage.
The play talks about democracy today, and the impact upon it by the disparity in power and wealth of our classes. Our media landscape is being sequestered slowly but surely, by a rich few, and their insidious control over the information we receive has unquestionably changed the way we perceive and live our lives. Political decisions are made through a semblance of democracy, but what we believe to be true, and therefore the way we exercise our voting rights and consumer decisions, are largely doctored by the powers that be. It is a grim situation we find ourselves today, and there seems no solution in sight, except for a healthy dose of cynicism, and prudent vigilance.