Bodytorque.Technique (The Australian Ballet)

bodytorqueVenue: Sydney Theatre at Walsh Bay (Sydney NSW), Oct 31 – Nov 3, 2013
Choreographers: Joshua Consadine, Halania Hills, Richard House, Ty King-Wall, Ben Stuart-Carberry, Alice Topp
Image by Branco Gaica

Theatre review
The Bodytorque seasons by The Australian Ballet feature works by emerging choreographers, and this year the company presents six excellent and diverse pieces. There is an emphasis on the idea of technique this season, and these young artists have all brought to the event their individual perspectives, which are distinct, confident, and strong.

Alice Topp’s Tinted Windows is modern and romantic, with an immense sensuality that is quite overwhelming. It conveys romance so effectively, proving that narrative storytelling is no match for dance forms when appealing to those emotions of longing and intimacy.

Finding The Calm by Richard House is memorable for its theatrical sensibility, juxtaposing stillness with dance to create poignantly moving moments. Some of the shapes he creates in various pas de deux are surprising, and deeply affecting in a way that only flesh on flesh connection can communicate.

In Polymorphia, Benjamin Stuart-Carberry focuses on the beauty of movement, as well as of the human body. It is the perfect commencement to the night’s program, and is immediately arresting and captivating.

The dancers are of course, divine. Vivienne Wong exudes extraordinary aura from every pore; she is a real star of the evening. Jarryd Madden has the rare ability to create dramatic tension in his dance, with minimal reliance on facial expression. Chengwu Guo’s athleticism and the uniqueness of his discipline allows him to stand out, and his abilities are showcased perfectly in Ty King-Wall’s The Art Of War.

This is a breathtaking night at the theatre. Some of the music is performed live, and listening to these emotive and sometimes euphoric classical compositions is a truly special experience. The same euphoria is delivered time and time again through each choreographer’s work, all varied but all accomplished. Ballet is not always for everyone, but this program has wide appeal, and it is hard to imagine anyone able to resist the unquestionable genius of these artistic triumphs.

5 Questions with Richard House

richardhouseWhat is your favourite swear word?
Just in case my mum reads this I’d better not be too creative when choosing my favourite swear word. I’m a big fan of South Park and Butters (one of the characters from the show) has a great expression in times of frustration. “SON OF A BISCUIT”.

What are you wearing?
I’m in-between rehearsals at the moment so currently I’m in sweaty tights, a sweaty bandana, sweaty ballet shoes and a sweaty t-shirt with Rafael Nadal on it.

What is love?
Love is a large Big Mac meal from McDonald’s. Ha! It’s also an enticing emotion that once you experience the completeness it brings, you’re always craving for more.

What was the last show you saw, and how many stars do you give it?
Well I haven’t seen a show in quite a while due to being incredibly busy, but I am seeing Beyonce perform this week and I can only assume she will rock my world and it will be a 100 stars out of 100 stars show!

Is your new show going to be any good?
Well it premieres on the 31st of October which is also my birthday and I have never heard of anything less than awesome happening on that date!

Richard House is starring in Bodytorque.Technique, with The Australian Ballet.
Show dates: 31 Oct – 3 Nov, 2013
Show venue: Sydney Theatre at Walsh Bay