Venue: Sydney Theatre School (Chippendale NSW), Aug 23 – 27, 2016
Playwright: Charles O’Grady
Director: Lucinda Vitek
Cast: Samuel Beazley, Robin Chen, Julia Robertson, Amy Zhang
Part poetry, part dance and part play, Before The Water Gets Cold is a multidisciplinary exploration into the nature of artistic expression. With themes of love and loneliness providing its main threads of inspiration, what we see on stage are four performers inhabiting a range of personalities, not to convey a narrative, but to evoke sensations and emotions that we are all familiar with.
The work is guided by an innovative spirit, and is often a refreshing experience, although significant portions can seem clichéd, due to its inability to transcend the derivative. Writing, direction and choreography exhibit moments of beauty through their various modes of experimentation, but a greater sense of originality, or perhaps boldness, is missing in the production.
Performer Julia Robertson is memorable for her captivating presence, and a surprising authenticity that she brings, even to the more absurdist sequences of the show. Her work with Robin Chen in a montage composed of romantic movie quotations is particularly delightful. Composer Josephine Gibson and sound designer Jeaux Pfeffer contribute proficiently to this collaboration, both sensitive and understated in style, for a delicate air that envelopes the auditorium.
Before The Water Gets Cold wishes to marry logic with something more ephemeral, but a greater trust in the visceral instance would allow us to dive in deeper into its artistry. The mind gets in the way of much of life’s pleasures, and at the theatre, an opportunity for us to be in touch with the magic of the here and now is always present, if only we resist the temptation to analyse everything even before it begins to happen.