Review: Haunted (Spark Youth Theatre)

Venue: Petersham Town Hall (Petersham NSW), Oct 29 – Nov 8, 2019
Concept: Felicity Nicol
Directors: Felicity Nicol, Scott Parker
Cast: Alan Fang, Andrea Mudbidri, Bedelia Lowrencev, Caitlyn Wright, Ellie Oppen-Riley, Emily Pincock, Fanar Moonee, Jeno Kim, Jeremy Lowrencev, Mason Phoumirath, Niamh Kinsella, Pedro Luis Barrientos Rios, Rebekah Parsons, Tirian Tanious
Images by Patrick Boland

Theatre review
It is night time, and a group of young adults are exploring a disused hall, spinning tales involving missing persons from a 1940’s debutante ball. The audience too are on foot, lingering and observing, and soon we find ourselves standing in as ghosts, when the adventurers begin seeing things. Felicity Nicol’s Haunted makes extensive use of an old town hall, one that is similar to the hundreds that exist all over Australia, with performers dispersed throughout the venue, and us behaving like voyeuristic apparitions, tracking their activities over ninety spooky minutes.

Directed by Nicol along with Scott Parker, the work is fresh and playful, impressive in its exhaustive and imaginative use of space. There is pleasure not only in investigating the many curious satellite occurrences, but also in the very experience of exploring a forgotten building. Sensational work on sound by Nate Edmondson heightens all our senses, to have us feeling as though immersed within a world of horror cinema. Lights by Benjamin Brockman are extravagant at pivotal moments, to help convey varying states of surrealism, for a story about young people discovering their local history.

A cast of fourteen performers demonstrate excellent commitment and verve, relying on intuition and physicality, rather than dialogue, to deliver a thrilling, inventive and often beautiful work of modern theatre. Mason Phoumirath and Niamh Kinsella are memorable in their featured roles, proving themselves to be compelling actors, with limitless potential.

The present collides with the past in every moment, but we are rarely encouraged to look back, whilst we wrestle with busy existences dominated by demands of the rat race. Mistakes may not have to be made again, if only we understand their previous incarnations, and evolution would only be in positive directions, if only we remember all former failures. Individuals are only young once, and as a community we too should always strive to mature with each passing day. Lessons learned must not be forgotten, or we will forever be in positions of regret.

www.sparkyouththeatre.com

Review: Natural Order (Milk Crate Theatre)

Venue: Petersham Town Hall (Petersham NSW), Aug 1 – 10, 2019
Director: Margot Politis
Cast: Aslam Abdus-Samad, Peter Birbas, Shane Ball, Desmond Edwards, Flor Garcia, Owen Gill, Alicia Gonzales, Lisa Griffiths, Sandra Hickey Eugenia Langley, Yen Mekon, Ray Morgan, Matthias Nudl, Ruth Oslington, Darlene Proberts, Steve Simao, Pauline Trenerry, Lucy Watson, Georgina Wood
Images by Lisa Walton
Theatre review
The social services agency in the story of Natural Order is named District Advanced Vocational Outlet, a fictional body no different from any bureaucratic organisation we have had the misfortune to encounter. In the hour long show, we are herded from one room to the next, to witness inefficiencies of a system that seems determined to look busy, but achieve little. We watch people falling repeatedly through its cracks, in an endless queue unable to resolve itself, lost in a system that has forgotten how to care.

Petersham Town Hall is transformed into an electrifying performance space, with evocative set design by Emma White, involving a series of wheeled panels forming simple but unexpected spatial configurations. Liam O’Keefe’s lights are a sensory highlight, effortlessly guiding our vision, as well as our emotions, through the literal and figurative labyrinth of Natural Order. Sound by James Brown and Bella Martin, along with audio-visual installations by David Molloy, offer further enhancements for an experience that many will find touching, regardless of an understandably coy devised text.

Directed by Margot Politis, the production is a stimulating exploration into the way we manage inequalities within our communities. Natural Order is a reminder, rather than a disclosure, of things we already know; its message is communicated gently, and thankfully without a lot of zealous earnestness. Featuring an extremely engaging cast of performers, including Darlene Proberts, whose delightful singing voice has us hopelessly charmed. Shane Bell delivers a powerful monologue, bringing tears to many eyes with his portrayal of Michael, as he recounts his distant glory days. Aslan Abdus-Samad and Alicia Gonzalez depict a couple of robotic red tape staffers, memorable for their cheeky sardonic comedy. Indeed, to talk about old issues that often feel too big to solve, requires a generous sense of humour. Crying is sometimes necessary, but laughing will get us out of the doldrums, for a new invigoration that will help propel us towards further action.

www.naturalorder.com.au