Venue: Chippen Street Theatre (Chippendale NSW), Jul 12 – 21, 2018
Playwright: Jane Bodie
Director: Travis McMahon
Cast: Dominic Di Paolo, Georgia Nicholas, Evan Piefke, Rachel Slee
Images by Ethan Hatton-Warham
This is a story of two relationships disintegrating against the backdrop of a catastrophe, possibly an act of terrorism that proves to have continual reverberations after its moment of impact. Jane Bodie’s A Single Act places two very conventional couples side by side in the play, unified only by that vague catastrophic event they are all trying to keep out of their minds. One of the women suffers physical abuse from her partner, and we are made to connect the attack on human life that occurs in the domestic sphere, with those in public. It does not make obvious links, so the meanings we try to formulate can feel tenuous, but the parallels regarding damage to person and society are certainly intriguing.
Comprised entirely of two-hander scenes, the show relies heavily on chemistry between our onstage lovers, but the intimacies being presented are rarely convincing. Much of the work on acting seems to be filmic in style, with emphasis placed on voice and facial expressions, while actors’ bodies are left to look as though stranded in space. The subtle writing requires of the cast an extraordinary level of nuance, but the few memorable moments involve very exaggerated manoeuvres. Consequently, the production struggles to communicate more than the surface, although it does keep our minds inquisitive.
Acts of terrorism committed in Australia have been few and far between, but family violence happens around the clock. We often find ourselves engaged in passionate discussions about religious fanatics and asylum seekers, unable to acknowledge much more pressing issues that are quite literally right at our doorsteps. Our beliefs and opinions are so easily manipulated, by economic and political interests that have much to gain from our fear of alien forces, that terrors within our midst can be so effectively rendered invisible. One’s own backyard should always be tended to with great conscientious care, but it is much easier to worry about imagined enemies from foreign lands.