Mike Ugo: If you were about to embark on a journey on the deep blue seas, what two things would you take with you and why?
Nicole Pingon: A waterproof notebook and stationery set. I don’t think this has been invented yet, (at least not that I know of), but I’d love to be able to write and doodle, without worrying about the risk of losing them to the ocean!
Why do you think this story is relevant today?
The ideas Coleridge lamented back in 1798, like reciprocity with the natural world, guilt and existentialism frankly couldn’t be more relevant today, as we live in a time where things aren’t exactly looking bright for our future – socially, politically or environmentally. Not only have Coleridge’s ideas have persisted over time because we are still flawed humans, I think the reason this particular story continues to resonate with us, is due to its exploration of these big scary ideas through a philosophical and moral lens. It deals with fundamental human concerns in a way that feels magical and otherworldly, yet undeniably human and close to home. This story continues to remind us that like the natural world around us, we are creatures of this earth and perhaps don’t have as much control over the future as we may believe we do. Because without Mother Nature, where does that leave us? This is a question Coleridge asked, and a question we will continue to ask ourselves until – I suppose until something changes.
Working on this production, how has it impacted you?
I’m a firm believer in the fact that we’re constantly learning and growing, and being a part of this production has absolutely been a testament to that! I’m continuously growing throughout this process, both as an artist and a human. I’m so grateful to create with some of the most wondrous, generous and talented creatives, and am constantly inspired by them. Every moment in the room has honestly been such a joy. The excitement I feel is a reminder of how much I love being on the floor, collaborating, discovering and creating. As a human, it’s really encouraged me to read further, watch more and helped me deepen my own worldview, particularly surrounding environmentalism and the language we use to discuss it. It’s also ignited a spark in me to continue exploring new ways to communicate big ideas through performance.
Little Eggs Collective in a sentence?
A collective of passionate, ambitious and diverse storytellers, creating new work and new modes of storytelling, who also happen to be the most wonderful eggs you will ever meet!
Which country would you like to visit that you haven’t been to and why?
I’d really love to visit Iceland some time soon! Not only is it absolutely beautiful, it’s a country that genuinely puts the environment at the forefront. I’d love to immerse myself in their sustainable way of living, and see how it all works. Otherwise Antarctica would be super cool, because Antarctica!
Nicole Pingon:What is your favourite bird?
Mike Ugo: Favourite bird would have to be an eagle. My surname actually means eagle of God in my native language (Igbo). Shoutout to my dad, he is late now but I always carry him with me in my heart everywhere I go.
Why do you think this story is important to share?
As a society we can often place significance on the wrong things, whether that be on social media, an excessive indulgence in material goods, celebrity gossip/culture, standards of beauty, the list goes on. These things tend to be glorified in society; but when someone is dying, suddenly all of that becomes trivial.
What type of life did I live?
How did I treat people?
Did I travel enough?
Did I get to experience all the jewels of this beautiful earth?
This story urges you to look within yourself and ask yourself what it means to be human because at the end of the day we all bleed the same. But not only that, realising that it is a gift just to breathe fresh air and that it’s really in all of our best interests to protect and preserve our environment.
What would you love to see in the future of the Sydney theatre scene?
Well as well as having a brother, I have two sisters. If you add my mother, that’s three women in the household (lol) and I would love to just see more female related stories. That would be cool to see. When women win, we all win!!! There’s more than enough room for everyone to shine, so us as men shouldn’t ever feel threatened in any way, shape or form.
What have you learnt/enjoyed about the process of creating this show?
Everything. This type of theatre-making is new to me so just being patient with the whole process. I won’t disclose any gems haha because that stays in the room, but I will say I’m forever indebted to Julia Robertson because she’s the first person to give me an opportunity in the Sydney independent theatre scene. She’s a real genuine soul and you want to be around people like that. I’m still early in my development in terms of acting so every rehearsal has been a gift. It has been challenging because I’ve never been in this type of environment before and the level of excellence amongst everyone is high. But the energy is amazing and everyone is so warm.
What does it mean to be a person of colour in the arts in Sydney?
Well, thank God for my parents raising me with love and affording me with so much. This is why I’ve always loved who I am and translating that positive energy into stories for younger generations is something I find invigorating.
Nicole Pingon and Mike Ugo can be seen in The Rime Of The Ancient Mariner.
Dates: 2 – 13 Apr, 2019
Venue: Kings Cross Theatre