Venue: Hayes Theatre Co (Potts Point NSW), Jul 19 – Aug 18, 2019
Book: Terrance McNally
Music: Marc Shaiman
Lyrics: Scott Wittman, Marc Shaiman
Director: Cameron Mitchell
Cast: Jordan Angelides, Simon Burke, Jessica Di Costa, Jarood Draper, Tim Draxl, Joel Houwen, Penny Martin, Heather McInerney, Monique Salle, Jake Speer, Erica Stubbs, Riley Sutton, Stacey Thompson
Images by Robert Catto
It is the incredible but true story of Frank Abagnale, the young con man who pulled outlandish stunts in the middle of the previous century, and succeeded for years at evading authorities. One of the most notorious impostors of the time, made legendary by Steve Spielberg’s 2002 film Catch Me If You Can, Abagnale was able to pass himself off as a pilot, a doctor and a lawyer (amongst other things) and in the process expose the fallibility of American systems, along with the nature of the privilege that is bestowed upon white men. If you look and sound a certain way, you could get away with anything.
Scott Wittman and Marc Shaiman’s songs for this musical rendition are consistently enjoyable and appropriately colourful with a swinging sixties vibe, but although cohesive as a whole, Terrance McNally’s book seems to make for a experience that is surprisingly low on stakes and therefore lacking in tension. Cameron Mitchell’s work as director and choreographer is energetic, able to hold our attention for the duration, although a lacklustre set design does make for a production that often appears vacant and unexciting.
Leading man Jake Speer sings his songs immaculately, a precise performer who brings great conviction to his part. As a crook however, Speer is too vanilla, lacking in mischief for a role that is entirely about perversion. The show is stolen by Tim Draxl, who plays FBI agent Hanratty with exceptional charisma, bringing much needed pizzazz to the strangely disengaging plot. Simon Burke and Penny Martin play the parents, both adorable in their quirky manifestations. Burke’s chemistry with Speer is particularly endearing, for father-and-son scenes remarkable in their authenticity.
It is true that we are all capable of doing bad, and the domino effect that ensues, from lies and other misdeeds, are certainly a phenomenon familiar to many. Frank Abagnale started on a slippery slope that saw him commit years to being a fraud, and we see him waiting to be caught, as though the brakes can only be pushed by an external entity. Self-destruction is a cruel mistress. Like an addiction that we feel powerless over, it tells us that we can stop it at any time, knowing that we will never find the wherewithal to turn over a new leaf that easily.