Venue: Old Fitzroy Theatre (Woolloomooloo NSW), Mar 20 – Apr 13, 2019
Playwright: Jane E.Thompson
Director: Janine Watson
Cast: Lauren Richardson, Zelman Cressey-Gladwin, Stacey Duckworth, Martin Jacobs, Chantelle Jamieson, Felix Johnson, Andrew Shaw
Images by Clare Hawley
Suzie Flack is the first woman to play Australian Rules football in a professional men’s team. This is of course, a fictional premise that Jane E. Thompson uses to construct her play, Fierce. Our trailblazing protagonist may have broken through the glass ceiling, but her challenges do not end at that point of disruption. The weight of having to single-handedly redefine an entire industry, sits on her shoulders. This is a story about women who have had to walk into men’s spaces all alone, against all odds, to overcome unjust systems of exclusion. Thompson’s writing is passionately feminist, and although ultimately a predictable narrative, its magnanimous spirit proves affecting.
Directed by Janine Watson, the production is often powerful, and memorable for creative risks that help elevate its overall sense of artistry. Music by Ben Pierpoint contributes vigour at key moments, crucial in helping us identify the high stakes that Suzie’s experiences represent. Kelsey Lee’s lighting design has a dynamism that works well at conveying a turbulent volatility for the storytelling, and Melanie Liertz’s set and costumes offer just enough visual stimulation, to keep us attentive to both surface and deeper implications of Fierce.
Actor Lauren Richardson’s scorching intensity ensures that the play’s social pertinence is never neglected. Her display of vulnerability can at times seem excessive for a personality who has to remain unyielding with her strength and resilience, but it is a captivating performance that puts the audience firmly on her side. The ensemble cast is uniformly wonderful, every actor full of sincere conviction. In the role of Melanie is Chantelle Jamieson, who offers a deeply fascinating portrayal of a football WAG struggling to find happiness, beyond the obvious perks of her unsubstantial job title. Never able to make explicit her desires, we observe her desperation in various states of physical manifestation, which Jamieson renders with impressive power and accuracy. Felix Johnson too is memorable as Nate, the escort who shares more than sexual intimacy with Suzie, in a performance that is as convincing as it is moving.
It is a daunting prospect for minorities, to have to infiltrate and operate from the inside of old structures, with little or no peer support, to change things one step at a time. Fierce is ahead of its time in daring to imagine a sportswoman competing neck to neck with elite men in the business, but it is timely in giving us much needed illumination to prohibitions that have been hiding in plain sight. We seem to be at a new breaking point in the evolution towards a more equitable society, especially in terms of gender and race. There are incredible leaders fighting everyday at what feels to be the final frontier, and we must all learn to back them, and lean in the right way.