Venue: The Old 505 Theatre (Newtown NSW), Mar 5 – 9, 2019
Playwright: Daniela Giorgi
Director: Paul Gilchrist
Cast: Matthew Abotomey, Kate Bookallil, Lindsey Chapman, Sonya Kerr, Julian Ramundi
Image by Matthew Abotomey
Kat dreams of moving out to the country, so that she can escape the ugly rat race of city life. Upon meeting guerrilla gardeners Gridlock and Pax however, her mind changes, as she begins involvement in a political movement that helps her feel an integral part of community. Daniela Giorgi’s Seed Bomb talks about the responsibility of individuals, in an environment where the power to influence our own destinies, is routinely made to feel diminished. Kat discovers that she is not helpless in her home, and to leave it for greener pastures is in some ways a selfish act.
Giorgi’s benevolent writing is idealistic but not naive. Although its didacticism has a tendency to turn obvious, the immediacy of its concerns bear a pertinence that keeps us engaged, with Kat’s awakening bringing a sense of hope to our humdrum passivity. Directed by Paul Gilchrist, the show is tender and earnest, insufficiently dynamic but certainly authentic with its representations. Actor Sonya Kerr is particularly genuine in her convincing portrayal of Kat, our mild-mannered protagonist who learns to carve her own niche in micro activism.
Other cast members are similarly accomplished. Matthew Abotomey and Kate Bookallil bring conviction to their roles as provocateurs of the piece, both distinct and specific with their respective interpretations of the modern social justice warrior. Excellent comedy by a very cheeky Lindsey Chapman, who plays an ignorant financial adviser, leaves a lasting impression. The frustrations of Kat’s partner Toby are conveyed persuasively by Julian Ramundi, whose depiction of the one left behind, serves as caution against political apathy.
Whether we like it or not, to exist is to be political. We can choose either to participate or withdraw, but there is never neutrality in any of our decisions. Everything we say and do, causes reverberations, like dominoes toppling in all directions. Kat does not become radical, but her new awareness of things beneath the surface, has sparked a fundamental shift in how she behaves. We can never be sure if knowledge will necessarily improve lives; after all, ignorance is bliss. There is however, no possibility for reversal, once the truth is out. This is only the beginning of Kat’s story, what is to follow is a test of our optimism and faith.