Venue: Kings Cross Theatre (Kings Cross NSW), Feb 7 – 17, 2018
Playwrights: John Harrison, Constantine Costi, Michael Costi
Directors: John Harrison, Michael Dean
Cast: Keiren Brereton, Tara Clark, Rose Costi, Laura Djanegara, Sarah Evans, Cheyne Fynn, Jasper Garner Gore, Richard Hilliar, Derbail Kinsella, Sheila Kumar, Yannick Lawry, Kianah Marlena, Suz Mawer, Tom McCracken, Jim McCrudden, Joshua McElroy, Rebecca Claire Moret, Mansoor Noor, Heather Prowse, Monica Sayers, Katherine Shearer, Emma White, Elijah Williams, Nicole Wineberg, Arisa Yura
Image by Clare Hawley
The people who work in hospitals are among some of the best human beings we have, but the experience of visiting medical institutions is often harrowing. We are at our most vulnerable, quite literally putting our lives in the hands of others. The immersive theatre production Visiting Hours, written by John Harrison, Constantine Costi and Michael Costi, investigates that very notion of having to submit to health experts and authorities, of being in a situation where one’s mortality is constantly under threat and question. We venture through ten or so spaces, guided by strange or menacing personalities, never knowing what is to come.
The experience is often terrifying, but in a humorous, often childlike way, where we engage in the sensation of fear, understanding that no real danger is ever present. The spaces are marvellously designed to deliver a sense of nightmarish foreboding, whilst stimulating all our senses in a range of unexpectedly pleasurable ways. Benjamin Brockman’s lights are almost inappropriately sexy, in their many spectacular evocations of tension and anxiety. Production design by Anna Gardiner offers spatial configurations that constantly surprise and amuse. Tegan Nicholls’ sounds are powerfully hypnotic, in how they coax us into strange realms of fantasy.
Visiting Hours is a thrilling show, and its demands of us as active participants in the story, are rich enough to elicit genuinely complex reactions, without ever crossing any lines. The first half involves a high level of interactivity, delivering intensely fascinating sequences that captivate all our senses and intellect. As it progresses however, we are released into more conventional and passive modes of audienceship, and even though we continue to be gripped by its continual atmospheric fluctuations, our minds struggle to focus on the show’s sudden reliance on spoken text. Our minds and bodies remain preoccupied with the multidimensional appeal of spaces, and can only listen sporadically to the words being said. Nonetheless, there is no question that the work is beautifully performed, by a huge cast of 26 actors, all convincing, charming and playfully provocative with their individual roles.
We all have to live inside power structures that keep us subjugated. Being at the bottom of the pile is sometimes involuntary, sometimes complicit. Visiting Hours challenges us to think about compliance and choice, and to examine the meaning of free will, when society seems to have a persistent appetite for deception and oppression. False gods in white coats can often appear to be all we have, but the ability to think for oneself and the courage to obey one’s own intuition, are always on hand.