5 Questions with Ellana Costa and Michaela Savina

Ellana Costa

Michaela Savina: Who do you believe is the most effective ancient Greek villain?
Ellana Costa: My favourite villains are the Sirens from the story of Jason And The Argonauts. I love that their power can be felt from a distance. I love the idea that these women play into the stereotype of the beautiful, mysterious woman that all men want, only so they can lure these men to their deaths. I also love the image of Jason, so desperate to see and hear the Siren song, that he ties himself to his ship. Talk about a glutton for punishment.

How do you find it performing your own writing?
I think every writer should be forced to perform that own writing at least once. It changes the way you see the writing process. I’ve always enjoyed working in a collaborative way and I’ve noticed a lot of changes I’ve decided to make from the script, to my character particularly, have come out of a realisation that the way I think doesn’t always translate well to the page. The exciting thing, however, about performing a character I’ve created, is that I really feel like I know Lampito. I feel like I understand her and why she is making the choices she’s making.

What’s your favourite thing about Lampito?
I think Lampito is incredibly strong, but I think what I love most about her is the way she shows her strength. She lives in a society where she is often looked down on because she is a women, but when she sees something she thinks is wrong, she say something. Even though she knows it will result in pain for her. She has a real moral backbone that I think is beautiful.

How would you define strength?
I define strength as resilience. To be strong doesn’t mean never falling, or never being upset, or never feeling like you can’t do it. For me, strength is feeling those things, acknowledging them, and then taking the steps you can to get back up. You can’t be strong without vulnerability, and when you are vulnerable you’re able to show your strength.

Who do you call to serve on your utopian action squad?
Well, it would be a combination of fictional and real world bad ass ladies. Let’s start with the obvious one: Wonder Woman. She is a n Amazonian goddess and will obviously be leading our party. I would then request Beyonce for soundtrack, general inspiration and fierce moves. I would also ask Black Widow from Avengers (for DC/Marvel mashup) and then I think I’d end with Geena Davis. That woman is an Olympian archer and super hilarious. Couldn’t image a better crew.

Michaela Savina

Ellana Costa: If you could be any one (or anything) from an ancient Greek myth, who would you be and why?
Michaela Savina: I think I would have to go for Circe because she’s got all of this badass magical power. Also in Odyssey she turned all the men in to pigs which is a move I really endorse.

Who is your feminist role model and why?
It’s like picking a favourite child this question, I think I’m going to go with Joan Didion as basically half my actions in life are just trying to make myself more like her.

What is the most interesting element of Lysistrata’s story for you?
In our adaption I think we’ve really drawn out the idea of sacrifice and what exactly that looks and feels like on a human level. I think understanding that sometimes the same sacrifice can land very differently for people is quite interesting.

What is your favourite thing about playing Lysistrata?
I really love playing her personality quirks, even though she has all this expertise and intelligence her emotional intelligence and social skills are quite lacking and that’s always fun to play. She really does mean well but she just slightly misses the mark.

Dead or alive, who is present at Lysistrata’s symposium on 21st century politics?
Ruth Bader Ginsberg, Arundati Roy, Yassmin Abdel-Magied, Georgia O’Keefe and Patti Smith, I’m kind of thinking about the post symposium drinks, my god that’d be some fascinating conversation.

Ellana Costa and Michaela Savina can be seen in Before Lysistrata by Ellana Costa.
Dates: 10 – 22 July, 2017
Venue: Kings Cross Theatre