Venue: Kings Cross Theatre (Kings Cross NSW), Jun 9 – 24, 2017
Playwright: Purva Naresh
Director: Suzanne Millar
Cast: Sapna Bhavnani, Karina Bracken, Claudette Clarke, Jarrod Crellin, Faezeh Jalali, Sheila Kumar, Suz Mawer, Bali Padda, Monroe Reimers, Trishala Sharma, Teresa Tate Britten, Amrik Tumber
Image by Natasha Narula
In the north-eastern region of India, a tourist hot-spot exists in the village of Jatinga, known for the mysterious phenomenon of birds plunging to their death, every year after the monsoon season. In Purva Naresh’s play Jatinga, it is the phenomenon of “runaway girls” that takes focus. Journalist Madhumita discovers five young women escaping harrowing fates, and in her efforts to publish a story that draws attention to their plight, she finds herself thinking like villagers hungry for tourism dollars, deciding whether to resort to sensationalism, in order that the greater good can be served.
The play is purposeful, and undeniably powerful. Addressing issues of poverty, Jatinga is relevant to audiences of all nations, at a time when economic inequality is a serious social concern. We may not suffer the same symptoms in the developed world, but the fact that the refugee crisis is unsolved and escalating, and that we continue to obsess over “terrorist threats”, show that persistent disparities, that our first-world systems thrive on, are creating problems that have landed us in a state of emergency. The rich will always want the poor separate and contained, but the poor can often break through the barriers of money. Radical action is always an option, when people have nothing to lose.
The women in Jatinga tell simple stories, but the production is strangely convoluted. Shifting timelines and interweaving narratives provide a sense of theatricality, but unnecessary confusion often gets in the way of our empathy. The show must be lauded however, for not turning to “disaster porn” to keep us engaged. The women are victims, but they are also spirited and strong individuals. Director Suzanne Millar’s resolve in portraying them as such, is certainly admirable.
An excellent cast, wonderfully cohesive, perform a colourful work replete with vigour and sincerity. Suz Mawer is captivating, and tremendously persuasive, as the journalist Madhumita. Her thorough authenticity holds the piece together, even though the stakes are admittedly lowest for the character she portrays. Also noteworthy is Nate Edmondson’s work on music, transportative and transformative in its effect, from scene to scene.
When the birds take to suicide, we wish for it to be an act of nature, and convince ourselves that things stay in balance with their sacrifice. Murmurs of the birds actually being killed by villagers, are disregarded by the tourists who wish to witness something romantic and extraordinary. We bury the truth, in order that our fabricated realities can be sustained. We want to think that refugees have proper channels to seek asylum, and we want to believe that terrorists are mentally ill. We insist that the poor only need work harder to create better lives, and we sweep the truth under carpets, sit back and watch as towers are burnt to ashes.