Venue: Old Fitzroy Theatre (Woolloomooloo NSW), Mar 28 – Apr 8, 2017
Playwright: Samantha Hill
Director: Michael Abercromby
Cast: Katie Beckett, Nathalie Murray, Jenae O’Connor, Amelia Tranter
A gun shot is fired, sending chills down our spines. A woman appears, disoriented, a time-traveller perhaps, or someone from a parallel universe, but more probably, she is just released from prison for shooting her husband some years back. Babe is an astrophysicist, with a keen interest in realms other than the immediate reality. Having given up her own dreams to become trophy wife to a television celebrity, she loses her sense of self, and we find her grasping at straws to justify her existence.
Samantha Hill’s Binary Stars And Best Lives is theatrical, ambitious and complicated, but its cacophony of rich ideas struggle to communicate with clarity. It seems to have a lot to say, including issues about Aboriginality, feminism and materialism, all worthy of exploration, that might be better dealt with if greater attention was put into creating a more cohesive narrative.
Babe is an elusive character, who actor Katie Beckett embraces with conviction, especially in sections of heightened drama and emotion. Amelia Tranter impresses in dual comedic roles, both memorable for different, and absurd, reasons. Nathalie Murray and Jenae O’Connor add further vibrancy and fun to a show that is otherwise more than a little confusing.
We need to have concurrent truths in order that life can be bearable. Whether complementary or conflicting, the different ways we form an understanding of how things happen, must allow some plasticity, or all our days would only be harsh and cruel. Even when Babe is made to face the consequences of her irrefutable actions, her mind provides explanations that she can live with. We all see the world differently, but how we co-exist is the perennial challenge.