Review: Relatively Speaking (Ensemble Theatre)

ensembleVenue: Ensemble Theatre (Kirribilli NSW), Nov 18, 2016 – Jan 14, 2017
Playwright: Alan Auckbourn
Director: Mark Kilmurry
Cast: Jonny Hawkins, Tracy Mann, Emma Palmer, David Whitney
Image by Clare Hawley

Theatre review
It is a very serious case of mistaken identities in Alan Ayckbourn’s Relatively Speaking, and the hilarity that ensues is rarely surpassed. It is about Ginny leaving one lover for another, but the story is hardly important in how the play is remembered. There is no throwaway line of dialogue, with each word calibrated to a staggering precision in order that we may experience the greatest amplitude of comedy possible. The 50-year-old work may not bear any trendy trimmings or indeed, political relevance to how we now live, but its theatrical structure and language specificity still remains outstanding in our age of perpetual mobile amusement.

The four riotous roles are performed flawlessly by a cast that can only be described as magnificent. Cohesive in tone and style, but each one idiosyncratic and independently captivating, their creations are all unforgettable, but it is the chemistry they manufacture for this ensemble piece that really delivers the goods. Ginny is played by the vivacious Emma Palmer, exuberant and dignified in her interpretation of a young woman in the swinging sixties. Jonny Hawkins is her adorable beau Greg, unbelievably animated and entirely compelling. David Whitney is the other man, spectacularly charming, knowing and droll as Philip, while his wife Sheila is brought to life by the truly extraordinary Tracy Mann with understated flair and impressive confidence.

It may all seem deeply familiar, but director Mark Kilmurry’s realisation of Relatively Speaking feels as though we had never actually seen a show of this genre executed with quite as much panache. His thorough engagement with the material and its particular form, ensures that the laughs are ceaseless for all of its two hours, and that we never tire of whatever he chooses to present. Life is never this much fun, but at the theatre, we sparkle eternal.

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