Review: Ali McGregor’s Alchemy (Hayes Theatre Co)

alimcgregorVenue: Hayes Theatre Co (Potts Point NSW), Apr 21 – 26, 2014
Musical Director: Sam Keevers
Cast: Ali McGregor

Theatre review
Ali McGregor has the kind of talent that we all wish to have. She is a singer who can sing anything across every genre, and she does them all incredibly well. In Alchemy, she showcases her frankly amazing ability at opera, rap, pop, rock, and all shades of jazz. There is nothing her voice is incapable of, and everything sounds authentic. Switching from musical theatre torch songs to hip hop à la Salt-N-Pepa is entirely effortless for McGregor. We never feel that the performer is more comfortable in one style than another, and the confidence she presents with each number is thoroughly enthralling and quite overwhelming.

When the diva sings, we are captivated and suspended in a timeless space; we lose ourselves and all our cares evaporate. McGregor says that Alchemy is about turning trash to treasure. The set list includes well known chart hits from the 80’s and 90’s, but rearranged to fit a jazz cabaret mode featuring Sam Keevers on the piano, Jonathan Zwartz on double bass and Tim Firth on drums. The programme is beautifully paced and constantly surprising, with an enjoyable juxtaposition of the familiar with the unexpected, providing amusement and delight. McGregor is a keen entertainer who engages her crowd with gestures and glances, and a lot of talking between songs. She is without question, a funny lady, and uses comedy well to create contexts for song choices, but unlike the music, her style and content of her chit-chat can become repetitive. She also shies away from more serious moments, frequently introducing a self-deprecating humour that is sometimes charming, but can also be disruptive. McGregor is capable of a lot of beauty with her presence and performance, and should allow more of her sublime qualities to resonate, instead of reverting to a persistent display of modesty and down-to-earthness.

It must be noted that lighting design for the show is inventive and very dynamic, transforming the simplest of stagings into something quite visually stunning. Sound however, does not show off McGregor’s range with enough effectiveness. The singer sounds impressive through the venue’s speakers for most of the duration but when she belts the bigger notes with her extraordinary power, the technical facilities seems to falter, losing dimension at these crucial points. Fortunately, the star’s determination and infallibility smooths over every flaw, and we cannot help but stay in love with her until the very end.

www.hayestheatre.com.au