This is an honest and simple work that meditates on the nature of theatre creation. It deconstructs both form and content to get to the core of what it means to make a work for the theatre. It is the process of stripping down, rather than building up, that characterises this piece.
The run time is fairly short, which keeps the delivery of ideas sharp and fresh, and thankfully prevents things from being too drawn out and self indulgent, which is a fate that tends to befall many experimental theatre practitioners. There is however, a lack of elegance in the visual elements of the production. Aside from Brennan’s red eyes and horns, and Buckley’s nudity, more work could have been put into the execution of design aspects.
Attention is placed instead on the relationship between author and muse, resulting in charming sequences that explore love and intimacy, as well as the mystical space between “dreaming and death”. The artists also deal with the notion of “story” and the tension that exists in relation to narrative structures and lack thereof, in the creation of their art. A Feat Incomplete is brave in its conscious resistance against conventions of storytelling. This is a risky undertaking that can easily lead to an overly alienating experience, but both artists give performances that fascinate and intrigue.