Review: Of Monopoly And Women (Brave New Word)

brandnewwordVenue: Exchange Hotel (Balmain NSW), Jul 9 – 24, 2014
Playwright: Pamela Proestos
Director: Sascha Hall
Actors: Ainslie Clouston, Bianca Raess, Victoria Greiner, Mark Taylor
Image by David Hooley

Theatre review
Relationships between siblings are often neglected by storytellers. They seem too mundane for the stage, and are a part of life that many take for granted. Pamela Proestos’ script places focus on a trio of sisters and demonstrates that there is much to be explored. Each woman has distinct qualities, and as a collective, they are complex and fascinating. Their bond is exceptionally tight, and within that closeness, they relate to one another with great humour, as well as unbearable cruelty. This calls to mind a quote from spiritual writer Marjorie Pay Hinckley, “home is where you are loved the most, and act the worst.”

In Of Monopoly And Women, we see the machinations of sibling rivalry in all its glory. In the security of their home, our leading ladies live, eat and breathe together, with a no holds barred attitude. They are always their true selves, allowing Proestos to reveal facets of human nature, good and bad, that are universal and unerringly reflective of our own lived experiences. With brutal honesty, she shows us how we treat the people we love, sometimes with unbelievable impertinence, but always amusing.

Production design is thoughtfully executed although its shoestring budget is evident. Demitra Sealy’s set efficiently creates levels and spaces that assist with scene transitions, and adds visual interest with colour and texture that feel homely while also providing a look that is delightfully theatrical. Lighting by Luke Holmes is sensitively created, turning a challenging venue into an effective performance space that provides fluctuating moods.

All performances are accomplished, and the chemistry between actors are well harnessed by director Sascha Hall. It is crucial that the family ties being portrayed are believable, and the production succeeds on this level. The symbiosis of love and hate is delicately balanced and deeply interesting. There is however, a deficiency in some scenes that require a greater range of emotion and comedy. The script allows for quite extreme quarreling on one hand, and hilarity on the other, but a few of these opportunities are missed. The action is fast paced, but charming lines are sometimes not given enough emphasis for them to work more powerfully. Supporting actor Mark Taylor is memorable for giving the most natural performance in the cast, playing one of the women’s boyfriend. His character is simplest to handle, but it is noteworthy that Taylor’s work is consistently compelling.

This is a production that has its heart in the right place. The team has identified the script’s essence accurately, and they present it well, but the show needs a few more dramatic turns in performance tone to prevent its domestic scenarios from descending into a space of mundanity. Ella, Kate and Zoe are multi-dimensioned and likeable women, with inter-playing dynamics that are thoroughly explored and beautifully written. The play and its themes are enjoyable and easy to identify with, even if it exposes us for being so careless with the people we love the most.

5 Questions with Sascha Hall

saschahallWhat is your favourite swear word?
Fuck, especially using it when stubbing one’s toe. No other word feels as good.

What are you wearing?
Jeans, striped socks, a strange multicoloured top that I’m now regretting as my attention is brought to it. A blue bra and purple undies. A blue dressing gown. All class.

What is love?
Love is a many splendored thing, love lifts us up where we belong. All you need is love … aaaaand I’ve watched Moulin Rouge too many times.

What was the last show you saw, and how many stars do you give it?
The last show I saw was The Government Inspector at Belvoir. I’d give it four stars because it took a while to hook me and I didnt think it was going to. By the time the curtain call came around I had decided it was one of the craziest and funniest things I’d ever seen. When I think back now, I still have no idea what on earth it was that I witnessed that day.

Is your new show going to be any good?
I’ll be honest with you, my new show is going to be a bit of alright. I haven’t left a single rehearsal without my sides hurting. We are creating what can only be described as a beautiful kind of crazy. I can’t wait to see what it can bring to an audience.

Sascha Hall is directing Of Monopoly And Women, by Brave New Word Theatre.
Show dates: 9 – 24 Jul, 2014
Show venue: Exchange Hotel, Balmain

Review: Dancing Naked In The Backyard (Brave New Word)

bravenewwordVenue: TAP Gallery (Darlinghurst NSW), Apr 15 – 26, 2014
Playwright: C.J. Naylor
Director: Travis Kecek
Actors: Matt Hopkins, Zasu Towle, Estelle Healey, Alan Long, Sam Smith, Sascha Hall, Kara Stewart

Theatre review
Contentious issues in our daily lives can make for great theatre. Dancing Naked In The Backyard explores over-development in suburbia, and attempts to make an argument for population growth control in residential areas. A shady character Reland, spearheads the Sylvan Towers project that will see construction of six-storey apartment blocks on quiet Hinton Street. In opposition is the clean cut Derwent who makes it his mission to stop the project from being approved by local government.

The premise is simple, and the production is plain. The script and direction are straightforward in what they wish to say, but what results is a show that feels overly didactic, and the lack of complexity in their argument makes for scenes that feel repetitive. The themes being discussed are not uninteresting, but the characterisation of Derwent representing good and Reland bad, is too obviously unbalanced and consequently, unconvincing.

Derwent is played by Matt Hopkins who does his best at channelling his character’s conviction into his own performance. The material he works with is not always strong, but he is believable and charming in the role. Hopkins has great presence, and his eagerness in connecting with co-actors gives him a sense of polish, and conveys confidence. Estelle Healey is memorable as the highly idiosyncratic Nancy. At times funny, and at others awkward, she might not always hit her marks but she is definitely a magnetic personality that adds exuberance to the stage.

The play clearly has a point to make, but its one-sided approach can cause its audience to question the validity of the debate at hand. Lamenting the introduction of low rise apartments into an idyllic suburb is romantic, but our daily lives point to a realistic perspective that is not sufficiently represented in the work. Backyards with unobstructed views are very nice to have, and almost everyone dreams of owning one, but when that privilege runs out, and we seek to mourn its disappearance, it is important to first scrutinise the rights we claim to have over this piece of earth we inhabit.

5 Questions with Sinead Curry

sineadcurryWhat is your favourite swear word?

What are you wearing?
Lonely Hearts underwear, a leather shirt and Rollas Jeans with bare feet. Denim all day, err’day.

What is love?
Love is nourishment, warmth, light and air. It’s everywhere! Do something with love or don’t do it at all. Love is an all-encompassing, bold, boundless embrace of acceptance, tenderness, humour, and friendship. In loving another, I grow and learn to better nurture myself and the world.

What was the last show you saw, and how many stars do you give it?
I recently saw Noises Off by STC at the Opera House; 5 bell-bottomed, shag-pile-upholstered stars. I love irreverent English comedy. I laugh-cried my mascara off and left the theatre looking like Alice Cooper. FEED MY FRANKENSTEIN.

Is your new show going to be any good?
Yes! Brave New Word Theatre Co’s debut production of Dancing Naked In The Backyard (written by Chris Naylor) restores my faith in community spirit. It’s a charming tale of the lengths the kooky, unsuspecting residents of Hinton Street will go too, to protect the neighbourhood they love.

Sinead Curry is appearing in Dancing Naked In The Backyard.
Show dates: 15 – 26 Apr, 2014
Show venue: TAP Gallery
ps (11 Apr announcement from Brand New Word Theatre): “Due to unforeseen circumstances, the role of Cathy in Dancing Naked In The Backyard will now be played by Zasu Towle.”

5 Questions with Luke Holmes

lukeholmesWhat is your favourite swear word?
Fuck, mainly for the variety. It’s one of the most versatile words there is.

What are you wearing?
Shorts and a t-shirt.

What is love?
When you’re happy to risk a lot of pain for a chance at a little bit of happiness.

What was the last show you saw, and how many stars do you give it?
Penelope at the TAP Gallery. 4 out of 5 stars.

Is your new show going to be any good?
Triune will be three whole types of awesome 🙂


Luke Holmes is writer and performer of Triune.
Show dates: 22 Nov – 7 Dec, 2013
Show venue: TAP Gallery