Venue: Kings Cross Theatre (Kings Cross NSW), Nov 17 – 21, 2019
Playwrights: Toby Blome, Zelman Cressey-Gladwin
Director: Jo Turner
Cast: Toby Blome, Zelman Cressey-Gladwin
Images by Jasmin Simmons
Rudy and Cuthbert are throwing a party. They consult a listicle on the internet, for ten sure-fire ways to make it a success, but it appears that information on the world wide web is not always reliable. In accordance with the top tips they had discovered, the young men work hard to make fun. Performers Toby Blome and Zelman Cressey-Gladwin, on the other hand, are effortless in their approach, for a whimsical comedy based on mime and clowning principles.
There is an unmistakable innocence in the characters, that sets the tone for the show. Having presented themselves to be devoid of agenda, other than the simple intention of having a party for their friends, we watch circumstances evolve, and observe the way things begin to happen to Rudy and Cuthbert, to arrive at an understanding that life has its way of taking you by surprise.
Directed by Jo Turner, the show is perfectly paced, to offer an experience that is deeply amusing and consistently delightful. The escalation in stakes and therefore tension, gives Rudy & Cuthbert Too an emotional dimension that is perhaps surprising for a presentation of this form. Although eccentric in style, Blome and Cressey-Gladwin have energetic presences that always maintain a firm grip over their audience. The boys make it a point to look like they are fooling around, but their irrefutable proficiency would suggest that they mean business.
Click-baits are deceptive by nature, and they take without giving anything satisfying in return. Theatre is quite the opposite. It allows us to sit in what is usually a state of passivity, while extraordinary attempts at deciphering the universe’s meanings are being offered up in earnest. Whether entertaining, informative, inspiring, or exasperating, these gifts from artists everywhere are immense, and a crucial element in determining how our civilisation does or does not flourish. There is no question that most of Australia’s art is devalued. If we could only give it as much as we do the endless pointless clicks on our phones, our extinction might just become avertible.