Venue: The Old 505 Theatre (Newtown NSW), Nov 5 – 16, 2019
Playwrights: Violette Ayad, Thomas De Angelis, Chika Ikogwe, Jordy Shea
Director: Jessica Arthur
Cast: Violette Ayad, Henrietta Amevor, Monique Calarco, Jemwel Danao, Nancy Denis, Felino Dolloso, Adam Di Martino, Jessica Phoebe Hanna, Mark Paguio, David Soncin, Angela Sullen, Mike Ugo
Images by Phil Erbacher
It is in Western Sydney’s Liverpool, that we find The House At Boundary Road, and the families who had lived in it over the years. Written by Violette Ayad, Thomas De Angelis, Chika Ikogwe and Jordy Shea, the work comprises four short plays, each featuring a migrant family. De Angelis writes about Italians in the 50s, Shea on Filipinos in the 60s, followed by Ayad’s Middle Eastern sisters who grew up there in the 80s, and finally Ikogwe presents today’s Nigerian inhabitants. Each segment is compact but powerful, for a meaningful encapsulation of our recent history.
The stories are an emotional tribute to difficult times, all of them offering intimate insight that pertain to the migrant working class. Truths about our economic system are revealed, along with the persistently inequitable nature of our nationhood. Directed by Jessica Arthur, the production is appropriately sentimental, presented in a simple style that conveys poignancy for every moment. A deeply evocative set by Keerthi Subramaniam, recalls interiors of modest homes that form the inner sanctum for so many Australian battlers. Kate Baldwin’s lights and Clemence Williams’s sound keep us in a beautiful melancholy, for an intimately resonant representation of both the past and the present.
Actor Felino Dolloso is especially moving as Jovy, the despondent father of the Filipino household, helping us see the pain of displacement in the most sobering way. The captivating Henrietta Amevor plays Chioma, a 14 year-old Nigerian obsessed with boys and selfies, bringing to the role exquisite humour and phenomenal star quality. Nancy Denis absolutely charms as Chioma’s mother, and their neighbour Ugo is portrayed by Mike Ugo, who impresses with an unexpected tenderness, and the effortless warmth he brings to the stage.
Many of us were allowed in, because difficult jobs needed to be done. We are built on the backs of economic migrants, yet they are routinely demonised by those who benefit most, from the smooth functioning of this capitalist way of life. Those at the top of our hierarchies understand that their positions are only tenable for as long as there are people at the bottom holding things up, yet they never fail to take every opportunity to vilify and demean those who are newer to this land, and darker in skin tone. The characters in The House At Boundary Road may look disparate to suspicious eyes, but there is little that separates them besides. The powerful will insist that we are never the same, so that they can keep trampling over us, but as soon as we reject those notions of difference, we can begin a revolution to erase these despicable disparities.