Venue: Kings Cross Theatre (Kings Cross NSW), Oct 19 – Nov 3, 2018
Playwright: Laura Lethlean
Director: Jessica Arthur
Cast: Phoebe Grainer, Damon Manns, Eliza Scott
Images by Clare Hawley
Girl meets boy at an inner-city house party, and they quickly fall in love. What follows is predictable, in an inevitable way perhaps, with things between the young couple taking shape like all the romantic narratives before, as though human connections can never stray far from established repetitious forms. In Laura Lethlean’s Two Hearts, love and sex are an exhilarating phenomenon, yet simultaneously, nauseatingly benign, except for the inclusion of a mysterious figure roaming the periphery, occasionally interjecting for gentle disruptions to the very ordinary story.
Tranquil and delicate, director Jessica Arthur’s approach makes for a show distinctively ethereal in tone, with an endearing cast helping to sustain our interest. Leading lady Eliza Scott’s playful exuberance and impressive lack of pretension, are valuable components to her engaging presence. Damon Manns brings outstanding ingenuity to his role, cleverly creating unexpected dimensions, to elevate a character that could otherwise be awkwardly pedestrian. The tricky part of the hallucinatory third-wheel is played by Phoebe Grainer, whose quiet concentration and honest impulses, provide an elegant solution to the play’s surreal aspects.
Two Hearts is in some ways a work about regret, a painful state of being, involving intense emotions that refuse to dissipate. We are held hostage, suspended in time but heavy with irreconcilable memories, partially paralysed and acutely embittered. It endures, because we fear the duplication of those grave mistakes, unable to trust that lessons have been learned. To let go of regret, is a simple idea, but being human is seldom a convenient exercise; the journey between inspiration and fruition is almost never the straightest and shortest distance between two points. We can only try to visualise the destination, and try to move ourselves in the right direction. Success may or may not come to pass, but stagnation is the only failure we must avoid.