Meg Clarke: If you could be any animal what would it be and why?
Jeremi Campese: My dog, Bobbie (genuinely his name). I guess domestic dogs in general; who wouldn’t? Everything’s covered: food, water, food, love, bed, cuddles, exercise and cuddles.
What would you like the audience to take away and learn from Yen?
Without insisting that the audience feel a certain way, it’d be great if they feel conflicted, particularly about the boys. They’re endearing in so many ways, but are the exact opposite in others; so I hope people will find themselves wanting to appreciate all their nuances. How our society raises boys is at the heart of the play, and I’d really like audiences to see that the way we meet them isn’t just on account of their choices, but is far more comprehensive than that. It’s a result of broader social perceptions of sex, women, and violence that they’ve internalised so quickly.
As a man do you feel any differently about men in society after this play? And what have you learnt about your own masculinity?
Certainly boys. In playing someone like Bobbie and researching boys in these contexts, you see how malleable and easily influenced they are by their circumstances. With the wrong role models and the wrong exposure, awful things happen. For me, I’m only 20. I’m still developing, learning and growing. So much of this play (apart from being an incredible piece of theatre) has been both cautionary tale and one of the most profound exercises in empathy.
What is your favourite sound and most hated noise?
Favourite sound is probably Cynthia Erivo singing. That woman’s vocal chords were crafted by angels. But my most hated noise is definitely my alarm clock… it is cruel; full of sound and fury.
What’s your favourite line in Yen?
So many to choose from! Anna is so good at bringing lines back throughout the show in different contexts. The one I think she does best is, “Family’s important, don’t you think?”
Jeremi Campese: What’s your biggest guilty pleasure?
Meg Clarke: It’s very hard to think of the biggest because I feel like I have a lot. Like any well adjusted 20 something year old, I’ve wasted many hours eating sloppy food in my bed and re-watching Gossip Girl and The O.C. probably about 16 times now (and that includes season 4 after Marissa dies… embarrassing but true). Sometimes I truly believe that the Black Eyed Peas are the most underrated musical phenomenon of all time and I really get into watching hours of YouTube footage of people falling over and injuring themselves in bike accidents… that last one really makes me sound sinister.
What was your reaction when you first read Yen?
It was a bit of an emotional roller coaster to be honest. I laughed my way through the first half, I cried somewhere in the middle and by the end felt incredibly ill. I also felt a very overwhelming desire to play the character of Hench, but now I can’t imagine anyone but the beautiful Ryan Hodson in that role. Halfway through the first page I knew I wanted to be a part of the production. I think it’s such an important piece of writing to be showing in the current climate and the content hits really close to home for me. I thought ‘thank god someone wrote a play about this!’ But I don’t want to give too much away! To be honest, the only apprehension I had on my first read was “how on earth do you do a Welsh accent?!”
What do you love most about Anna Jordan’s writing?
Anna’s writing is so incredibly nuanced and delicate. It’s hyper realistic. I love how honest it is, no frills! Which makes it so much easier as an actor because every time you’re in doubt about your intention or how your character is feeling, the answers are all right there in the script. I’m also impressed by how well she can write completely from the inner truth of four very different people.
Who is Jenny in 3 words?
Number 1: Empath (most empathetic person I know)
Number 2: Fierce (I want to say fearless, but nobody really is)
Number 3: Un-prejudiced
What’s your favourite smell?
Jeremi’s mums cooking, haha. But also Basil, basil is ultimate smell joy. If it was socially acceptable to walk around with basil shoved up your nose, I’d be the face of that movement. In fact when Yen closes…
Jeremi Campese and Meg Clarke can be seen in Yen by Anna Jordan.
Dates: 27 Sep – 13 Oct, 2018
Venue: Kings Cross Theatre