Venue: New Theatre (Newtown NSW), Jul 12 – 29, 2017
Playwright: Theresa Rebeck
Director: Richard Cornally
Cast: Brett Heath, Kitty Hopwood, Peter-William Jamieson, Emma Louise, Andy Simpson
Image by Sundstrom Images
Jackie finds herself in possession of some highly collectable postage stamps after her mother’s death, and goes about trying to sell them for an enormous sum of money. The process is fraught with danger and dispute, as shady figures and family members get in her way. Theresa Rebeck’s Mauritius talks about greed, and the ugly behaviour that accompanies our thirst for personal gain. It is not a work with philosophical depth, but its effective take of a classic structure, provides ample opportunity for a gripping and entertaining thriller.
The production is well-rehearsed, with actors demonstrating excellent conviction. There is good energy on the stage, but a strange and awkward lack of humour tarnishes the show. Chemistry between players is present, although their focus on drama is often misplaced, during sections of the play that seem to offer favourable circumstances for comedy. Lighting and sound could help lift atmosphere, but both are severely neglected.
Kitty Hopwood is a very intense Jackie, always looking as if she is consumed by fear. Her steadfast approach reveals a part of the character that is anxious about her situation, but her scenes have a tendency to feel monotonous as a result of that unwavering artistic choice. More motivated by laughter is Peter-William Jamieson, who thankfully brings some joviality to the role of Dennis. A memorable performance is given by Brett Heath, who plays the villain of the piece Sterling, with a sense of creativity and playfulness that delivers theatricality, to this otherwise overly stiff and serious presentation.