Venue: Old Fitzroy Theatre (Woolloomooloo NSW), May 23 – Jun 3, 2017
Playwright: Sam O’Sullivan
Director: Lucy Clements
Cast: Michael Abercromby, Rowan Davie, Whitney Richards, Bishanyia Vincent
Image by Rupert Reid
Wanderlust is meaningful only to those who understand that irresistible urge to travel. Simon returns home from a long trip away, and has to explain to his siblings why he had left them. There is resentment, and a lot of discontentment at home, but the love is nonetheless palpable. Sam O’Sullivan’s The Wind In The Underground is about seeing the world, but all the action lies within a domestic setting. The four characters are a volatile group, but they are not fragile. They fight only because they will always be able to reconcile.
There is little in terms of a compelling narrative that we can hang on to, and dramatic tensions are intermittent, but a superb cast enchants with their extraordinary chemistry. The actors share family secrets that we are only partially privy to. Its characters struggle with disclosures, but the performances leave no room for doubt that something deep and real underpins the exchanges we see on stage. It is a feeling we are all familiar with, and the remarkable talents represent it with an admirable accuracy.
Some people are comfortable with a parochial existence, but others need to explore further afield. This does not have to be about the physical movement that takes place. Our minds are all-powerful, and our beings can be transformed, as long as we wish to seek something higher. The play is about travel, and evolution. For those of us who can sail the seven seas, we will grow that way, but for those who prefer to stay home, every work of literature and art can provide the key to expanding life, far beyond the walls that try to hold us in.