Venue: The Depot Theatre (Marrickville NSW), Nov 16 – 26, 2016
Playwright: Rivka Hartman
Director: Rivka Hartman, Christine Mearing
Cast: Elaine Hudson, Taylor Owynns, Anne Tenney
Image by Vicki Skarratt
Ernestine’s marriage and career are adequate, but clearly far from perfect. She has a high level of self-awareness, constantly in dialogue with herself (quite literally) to examine thoughts and feelings as they emerge, but she keeps things under strict control. Ernestine is not one to rock the boat. Her husband is philandering, and job promotions are lost to less qualified male persons, but she grins and bears it, determined to fulfil the part of the good girl. When the beautiful Joy enters the picture, however, our protagonist is inspired to let all hell break loose.
Rivka Hartman’s Let’s Talk About You is about a woman whose time has come, admittedly a little late in life, but Ernestine is finally at a point where she realises that following all the rules has paid her poor dividends. It is a deeply charming play, witty and spirited, with depth and humour effortlessly guiding us through its simple but delightful narrative.
The production is directed with a warm vibrancy that keeps us connected with its characters, but spacial configurations could be more imaginative to allow scene transitions to occur with less fuss. Performance for the piece tends to be overly declarative in style, but what it lacks in terms of an empathetic naturalism, it atones with genuine passion and excellent stage presence from its smart team of actors. Elaine Hudson is a sagacious leading lady, imparting wisdom and flair through her incisive interpretation of a personality that we will all find familiar, and honest.
It should be easy living in a country that is free and rich, but we can often find ourselves held back from happiness. What happens in the mind is endlessly complex, but in Let’s Talk About You, we can see that fear and delusion are luxury items many of us in developed nations possess, and like that Patek Philippe or that Lamborghini, completely unnecessary and irrelevant to finding a good life. Ernestine understands her own irrationality, but what she does with it, is the million dollar question.