Venue: Wharf 1 Sydney Theatre Company (Walsh Bay NSW), Jan 10 – 14, 2024, with further performances at Art House Wyong (January 19–20) and Merrigong Theatre Company in Wollongong (February 14–17)
Playwright: Alana Valentine
Director: Liesel Badorrek
Cast: Elenoa Rokobaro, Eleanor Stankiewicz
Images by Wendell Teodoro

Theatre review
Born 1900 in Sydney, Nellie Small worked many of her adult years as an entertainer, eventually establishing a career as a male impersonator in the 1930s. As a gender non-conformist, and a prominent person of colour living in Australia a century ago, Small remains an important figure in our queer history. Alana Valentine’s play in a cabaret style Send for Nellie, is an admirable attempt at immortalising the memory of Small. It is a respectful tribute, albeit offering a somewhat sanitized impression of Sydney nightlife.

At just an hour’s duration, with an abundance of song-and-dance incorporated into the staging, Send for Nellie is an excellent showcase for a performer like leading lady Elenoa Rokobaro, whose powerful vocals and precise execution of choreography, elevates the presentation with her exceptional polish. There is however an absence of a certain queer sensibility, that we know instinctively to be a crucial element in any recounting of Small’s life. Eleanor Stankiewicz plays several supporting characters, each one more vibrant than the last, but none of whom distract from the main attraction. Also a delight is the three-piece band of women musicians with Zara Stanton as Musical Director, although it is worth pointing out, that acoustics are a major sore point in this production.

Direction by Liesel Badorrek gives Send for Nellie an abundance of variation and movement, but the show never really connects. We feel as though the soul is missing, from a person we want to know better. On a positive note, visual design is generally of a high standard, for a work as handsome as the person it wishes to memorialise.

For the benefit of every person in queer communities, we must continue to tell stories about our forebears, in order that we may be inspired by their resilience, their resourcefulness and their innumerable achievements. We need always to see how as a people, we continually prove them wrong, that we are of great worth, that what they have construed of us for generations, is reprehensible and must always be met with resistance. To have survived her times as a queer person of colour, Nellie Small was unequivocally a warrior. It would not have been easy, but it does mean that greatness is absolutely within our grasp.

www.thearthousewyong.com.au