This Is Beautiful (The Public Studio)

The Public StudioVenue: Tower Theatre at Malthouse (Southbank VIC), Jul 19 – Aug 3, 2013
Playwright: Ming-Zhu Hii
Director: Ming-Zhu Hii
Actors: Jing-Xuan Chan, Pier Carthew, Terry Yeboah

Theatre review
Expecting experimental work in any art form to entertain is usually a lost cause, and performance art pieces are rarely crowd-pleasers. This Is Beautiful is composed of three performers spouting endless existentialist questions about the arbitrariness of life’s big meanings. There is no obvious context, and clearly no narrative for which to situate these characters and their constant inquisitions. The small amount of movement and facial expressions they produce seem to be guided by those big questions, giving the impression that the entire 50-minute piece is about one idea.

These questions are not frivolous ones, in fact, one could argue that they are fundamental and relevant to all lives. Only problem is, you would either have already thought about them a thousand times and are quite happy to leave them behind, or they are simply of no interest to you and a night at the theatre would take a lot more than three strangers’ declarations to change your mind.

A big element of this production is the video that plays throughout, which adds dimension to the activity in the space. They provide an interesting abstraction to the repetitive themes, and are visually captivating in their own right, providing variation and colour to the austerity of what is unfolding in the flesh.

It is interesting to note that the three performers are of different ethnicities, and that it takes an experimental work of this nature for this multi-cultural amalgamation to materialise onstage. They make a beautiful picture together, creating a landscape of purity and unison. It also conjures up the notion that this combination of skin colours seems to face constant resistance in mainstream Australian narrative-based storytelling, in theatre or otherwise.

www.thepublicstudio.net

Dance Of Death (Malthouse Theatre)

Venue: Beckett Theatre at Malthouse (Southbank VIC), Apr 18 – May 19, 2013
Playwright: Friedrich Dürrenmatt, English text by Tom Holloway
Director: Matthew Lutton
Actors: Jacek Koman, Belinda McClory, David Paterson

Theatre review
The players are brilliant. They are charismatic, humorous, agile and precise. From the very start, the audience is eating out of the palm of their hand, keen to see what unfolds. Their depiction of a dysfunctional marriage (to put it mildly) is fascinating and thrilling, but it is a struggle to find more than great entertainment value from this production, which is curious as the play does go into very dark places. Its last third turns more serious, but this is where the show loses focus, and the crowd is left bewildered as to what is being conveyed.

Production values are wonderful. Sound and music, set and props, and lighting all felt flawlessly executed and artfully created. This is a loud and dynamic, yet elegant production, which theatre-goers will enjoy even if its ending fails to match u up to its astounding start.

www.malthousetheatre.com.au