Venue: Hayes Theatre Co (Potts Point NSW), Feb 20 – Mar 22, 2026
Book: Jeff Whitty
Adaptation: James Magruder (based upon The Arcadia by Sir Philip Sydney)
Director: Ellen Simpson
Cast: Thomas Campbell, Nancy Denis, Gaz Dutlow, Ellen Ebbs, Alana Iannace, Minerva Khobande, Lucy Lalor, Jenni Little, Adam Noviello, J Ridler
Images by Kate Williams

Theatre review
Adapted from Sir Philip Sidney’s 16th-century prose romance The Countess of Pembroke’s Arcadia and set to the effervescent catalogue of The Go-Go’s (including solo work by lead vocalist Belinda Carlisle), the jukebox musical Head Over Heels follows King Basilius of Arcadia as he flees into the wilderness with his royal court, desperately seeking to outmanoeuvre a quartet of ominous prophecies. While a deliberate queering of the narrative lends the production a timely, subversive edge, the 2015 creation remains conceptually thin—an exercise in nostalgic pastiche that, for all its exuberance, ultimately fails to transcend the limitations of its own conceit.

Ellen Simpson’s direction is conventional without being uninspired, yet it fails to cultivate the crucial investment that might elevate the piece beyond its modest virtues. The production’s buoyancy is its greatest asset, an infectious lightness that often carries the day even as the characters remain at a narrative arm’s length. Music director Zara Stanton and choreographer Ryan González follow suit, offering pleasant, polished contributions that are content to serve the material’s needs rather than striving for innovation.

Josh McIntosh’s set sketches a charming pastoral world through its key features—a graceful proscenium arch and an evocative backdrop—but the effect is compromised by rolling units whose rustic utilitarianism clashes with the design’s more delicate aspirations. Sidney Younger’s lighting, though visually restrained, demonstrates scrupulous calibration, modulating energy and atmosphere with precision if not poetry. The cast, uniformly accomplished and visibly committed, labour against a fundamental limitation: the show’s characters are drawn as caricatures, and no amount of performative investment can quite animate them into three-dimensional life.

Head Over Heels illuminates the slender margin between inspired invention and well-worn trope. The production brims with undeniable flashes of creativity, yet they never quite coalesce into something genuinely artistic. Instead, the whole resolves into something more modest: a serviceable vehicle for entertainment, one with which many audience members will undoubtedly leave content, if not transformed.

www.hayestheatre.com.au | www.welldonecreative.com.au

Venue: Hayes Theatre Co (Potts Point NSW), Nov 22 – Dec 22, 2024
Music and Lyrics: Irving Berlin
Book: Gordon Greenberg, Chad Hodge
Director: Sally Dashwood
Cast: Zohra Bednarz, Emma Feliciano, Paige Fallu, Matt Hourigan, Nigel Huckle, Niky Markovic, Chloë Marshall, Mary McCorry, Jamie Reisin, Jacob Steen
Images by Robert Catto

Theatre review
All Jim wants is an idyllic life of marriage in rural Connecticut, but when Lila discovers that the farmhouse is not quite to her taste, Jim quickly finds a new love interest in Linda. Based on a film from 1942, it is perhaps not a surprise to find in Holiday Inn, that women are but interchangeable and disposable. The book by Gordon Greenberg and Chad Hodge for this 2014 musical version, preserves what some might term an old-fashioned charm, but for others it is probably only the interpolated songs from the Irving Berlin oeuvre that holds any appeal.

Direction by Sally Dashwood is correspondingly nostalgic in style, with an approach that is perhaps overly sterile and conservative. Zealous choreography by Veronica Beattie George is highly animated, but a restrictive set design by Bell Rose Saltearn hinders the cast from performing freely. Lights by Véronique Benett introduce dynamism to the staging, but it is the extensive wardrobe by costumier Brendan de la Hay that provides some visual splendour.

Music direction by Abi McCunn is faithful to the relevant era, ensuring that Berlin’s hits remain enchanting. Leading the cast are Nigel Huckle and Mary McCorry who both impress with their singing abilities as Jim and Linda, although chemistry is nowhere to be found on this occasion. More captivating is Jacob Steen who plays Jim’s partner and friend Ted, demonstrating exceptional flair and a knack for harnessing dramatic authenticity, even for a story that is completely absurd. There is something about the Christmas season that feels ridiculous, but we participate anyway, understanding that so much of the joy comes from a willingness to indulge in a collective delusion, about this portion of the calendar holding so much more meaning, than the rest of the year.

www.hayestheatre.com.au