Venue: Bondi Pavilion Theatre (Bondi NSW), Jul 16 – 19
Playwright: Rob Hayes
Director: James Dalton
Cast: Heath Ivey-Law
This actually is a play about bestiality, and Bobby actually has awkward one-way (of course) conversations with a variety of animals. Rob Hayes’ script is unapologetic and obviously offensive, and completely bizarre. Of course, the scenarios painted are almost never realistic but they are confronting nonetheless. The thought of a man having a series of sexual encounters with animals is unsavoury enough, but to listen to his post-coital confessions and confidences is thoroughly unnerving. However, to take this play at face value would be absurd (there is nothing realistic about a monkey prostitute or sex with a grizzly bear, no matter how perverse one’s sexual tastes may be). Bobby and his stories are allegories for our sexual lives, and its reverberations. What makes us tick, if and why it matters, and quite naturally, the moral implications of our appetites.
Heath Ivey-Law performs the 70 minute monologue, along with two nonspeaking actors in masks who provide the presence of animals involved. Bobby is a very demanding role. The script is wordy, and its concepts are obscure, but Ivey-Law displays impressive resilience and focus that pulls us into his weird and disturbing world. Early scenes are lighter in tone, and the show feels almost like a charming stand up routine. The notion of Bobby having sex with a dog and then a cat, is initially ridiculous but as we come to accept that what we see is more literal than we are ready to accept, the comedy becomes very unsettling. Ivey-Law is more effective at making us feel uncomfortable than he is at creating laughter, but the edginess sets in too early in the piece, and as the work descends into even darker territory, the work becomes too alienating to connect with. It must be noted though, that Ivey-Law’s performance in the later scenes is very powerful even when the abstraction overwhelms. The precision in his execution is beautiful to watch.
Director James Dalton is particularly strong with adding a visual dimension to the text. His rich imagination creates on stage, vivid and arresting imagery that is aesthetically satisfying, and also an evocative enhancement of the story we hear. The venue is restrictive but the use of lights and sound are unexpectedly innovative. Sex is the most personal of themes, so our own perspectives inform the way we read this work. Dalton allows us to approach the performance from any aspect. There is an ambivalence that communicates intelligently, but the viewer needs to be active and creative with interpretations. Awkward Conversations With Animals I’ve Fucked is never an easy ride, but a few bumps on the road will make for a most interesting night.